Fabrice Knecht Tango DJ
Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Written by Raúl Hormaza and composed by Eladio Blanco, “Criticona” is a tango that explores themes of domestic strife, societal expectations, and personal disappointments woven into the fabric of everyday life.
The lyrics of “Criticona” tell the story of a man named Antonio, addressing his wife Raquela, whom he accuses of constant criticism despite his attempts to provide for her during difficult times. The narrative is set against the backdrop of a strike (“huelga”), hinting at economic hardship. The song conveys a dialogue where past promises clash with present realities, emphasizing the strain in their marital life. The use of colloquial terms like “che grela” (a slang for a woman, often with negative connotations) sets an informal, yet emotionally charged tone.
The term “Criticona,” translating to “big critic” in English, symbolically represents the wife as someone overly critical and difficult to please. This character symbolizes broader societal pressures where expectations often outweigh reality, and individuals feel constantly judged. Antonio’s longing for basic needs (“me conformo a pan y ajo” – I’m content with bread and garlic) juxtaposed with Raquela’s desires for luxuries (like nylon “Dupunt” stockings and “Chantú” silk blouse) underscores the tension between needs and wants, symbolic of the class disparities of the time.
“Criticona” was penned in 1956 Argentina, a period marked by political and economic volatility after the overthrow of Juan Domingo Perón. The reference to a strike and its impact on the main character’s ability to provide highlights the widespread labor unrest typical of the era. Furthermore, the mention of the police (“comisario”) and legal troubles related to gambling (“ley de juego”) reflects the strict, sometimes arbitrary enforcement of laws which affected daily life. The place “Devoto,” mentioned in the lyrics, is a neighborhood in Buenos Aires known for its large prison, further emphasizing themes of entrapment and despair prevalent in mid-20th century Argentine society.
Raúl Hormaza, the lyricist, is known for his ability to capture the poignant realities of Argentine life through tango, often weaving social and personal stories into his work.