Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Cosas olvidadas is a Tango written by José María Contursi and composed by Antonio Rodio.
The tango “Cosas olvidadas” translates to “Forgotten Things” and delves deep into themes of memory, loss, and the passage of time. It characterizes a poignant conversation or internal monologue directed at a past lover after a significant period. The speaker, who describes themselves as much older, contrasts the enduring memory of his lover, who seems unchanged by time. This contrast underlines the song’s focal emotion of nostalgia mixed with sorrow, capturing the essence of reflecting on a past love that remains vivid though it has long ended.
The language of “Cosas olvidadas” is suffused with symbolic elements that accentuate its emotional depth. The phrases “abren heridas al corazón” (open wounds to the heart) and “resucitar las horas muertas” (resurrect dead hours) are particularly evocative, illustrating the painful resurgence of dormant emotions and memories. Another notable phrase, “parece que fuera ayer” (seems like it was yesterday), emphasizes the immediacy and clarity of past memories which contrast starkly with present realities, symbolizing how the past often feels closer than the ever-changing present.
Written and recorded in 1958 in Argentina, “Cosas olvidadas” emerged during a vibrant era of tango music, which often reflected the socio-emotional landscape of Argentinians. This period succeeded the golden age of tango, carrying forward a tradition of exploring themes of melancholy, loss, and nostalgia, connecting with the audience who found solace and reflection in its deep emotional encodings. The mention of “much time” and significant change reflects personal transformations and possibly hints at broader socio-cultural shifts experienced during that era.
José María Contursi was a prolific figure in the history of tango music, known for his deeply sentimental lyrics that often explored themes of love, heartbreak, and nostalgia.