Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Corrientes bajo cero is a Tango written by Aldo Queirolo and composed by Roberto Chanel.
The tango “Corrientes bajo cero” narrates a poignant tale woven into the cultural tapestry of Buenos Aires, the cradle of tango. The song begins with the voice of a young man from Buenos Aires, recollecting the vibrant nights on Avenida Corrientes, a historic street known for its deep tango roots. From iconic tango bars to beloved venues, the lyrics paint a lively picture of the street’s golden days. However, the narrative takes a somber turn as the protagonist wakes up, realizing that those halcyon days have faded, leaving behind a cold “Corrientes” stripped of its rich musical heritage. The tango thus oscillates between a celebration of cultural vibrancy and a lament for its loss.
The title “Corrientes bajo cero,” translating to “Corrientes below zero,” symbolizes the chilling desolation felt when a culturally vibrant place loses its essence. In this context, Avenida Corrientes represents not just a physical location but a symbol of the tango spirit. The chilling cold implies a sense of abandonment and loss, reflecting the displacement of tango from its urban heart. Names like “El Olmo” and “El Germinal” represent warmth, life, and resurgence but contrast sharply with the reality of closed doors and silenced music, effectively heightening the emotional impact through these vivid contradictions. The mention of significant figures like Piazzolla, Pugliese, and Gardel elevates the narrative, connecting personal loss to cultural heritage.
Recorded in 1961, “Corrientes bajo cero” emerges during a period of profound cultural shifts within Argentina. The mid-20th century saw substantial changes in social dynamics and music industry norms, influencing how tango was consumed and perceived. Avenida Corrientes had been at the heart of Buenos Aires’ nightlife and the epicenter of tango culture, housing countless tango bars and cafes where legends performed. The lament for the closure of these iconic spaces like “El Marzotto” and “El Tibidabo” reflects a broader anxiety about cultural preservation amid rapid modernization and changing tastes. By shedding light on this transformation, Queirolo not only mourns a personal sense of loss but also critiques broader socio-cultural shifts impacting Argentina’s artistic expressions.
Aldo Queirolo was an esteemed tango lyricist, predominantly active during the mid-20th century, who captured the essence and struggles of the Buenos Aires tango scene with emotive and poignant lyrics.