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Corazón pa’ qué lloras

Corazón pa’ qué lloras is a Tango written by and recorded by Osvaldo Fresedo in 1928. The Tango Corazón pa’ qué lloras is written by , Osvaldo Fresedo has recorded Corazón pa’ qué lloras with the singer Ernesto Famá.
“Corazón pa’ qué lloras” translates to “Heart, why do you weep?” The original Spanish name evokes a sense of gentle questioning, addressing the heart’s tendency to succumb to sorrow. It suggests an introspective journey where one confronts heartache with grace, perhaps urging the heart to seek understanding, resilience, or even a path to healing through its melancholic melodies.

Tango

Style

Osvaldo Fresedo

Orchestra

Ernesto Famá

Singer

Author

Composer

1928/6/5

Date

Ernesto Famá
Ernesto Famá
Osvaldo Fresedo
Osvaldo Fresedo

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Lyrics Translation of the Tango Corazón pa' qué lloras

This is the translation of the Tango “Corazón pa’ qué lloras” from Spanish to English. The English lyrics of the Tango “Corazón pa’ qué lloras” have been done with AI.

Corazón pa’ qué lloras recorded by Osvaldo Fresedo


Corazón pa’ qué lloras is an instrumental Tango composed by .



Interpretation of Corazón pa’ qué lloras

The title “Corazón pa’ qué lloras” translates to “Heart, why do you cry?” in English. As a piece of instrumental music played by Osvaldo Fresedo’s orchestra, this tango invokes a range of deep emotions, evoking the heart’s lament and its silent questions of sorrow. The melodies might capture the somber, introspective moments of a heart pondering its own pain and melancholy. The strings might soar delicately, weaving a tapestry of longing, while the bandoneón could offer mournful whispers, punctuating the silence with expressions of unspoken heartbreak.



Osvaldo Fresedo and Corazón pa’ qué lloras

Osvaldo Fresedo, known for his elegance and smooth orchestral style, imbues “Corazón pa’ qué lloras” with a refined touch, blending subtlety and emotion. His orchestra might employ a harmonious blend of violin’s gentle sobs, the piano’s melancholic undercurrents, and the rhythm of the double bass to create an aural landscape where listeners can lose themselves. Fresedo’s interpretation transforms this tango into a wordless conversation where every instrument speaks the language of the heart’s inquiries and sentiments.