Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Coqueteando por la ribera is a Tango written by Yaraví and composed by Florindo Sassone.
The lyrics of “Coqueteando por la ribera” vividly narrate an encounter and subsequent enamorment along the “riverside” or “coastal streets,” as suggested by the term “ribera.” The lyrics trace the initial sighting, the captured emotions, a nostalgic reminiscence, and a concluding reaffirmation of love. The speaker reminisces about an evening stroll where he first encountered the object of his affection, noting her smile and flirtatious demeanor. The narrative conveys a deep emotional connection initiated and continually fueled by the romantic setting of the riverside.
The phrase “Coqueteando por la ribera” translates to “Flirting by the riverside” in English, which adds an element of romance and a scenic backdrop to the narrative. Descriptions like “suave, muy suave tu andar” and the simile “Eras un junco en la acera” (You were like a reed on the sidewalk) convey a gracefulness and a strong yet flexible nature in the beloved. The mention of the Tango melody from the river played on a bandoneón (a type of accordion important in Tango music) symbolizes the deep cultural roots of their love, intertwined with traditional Argentine Tango music which itself speaks of passion and nostalgia.
“Coqueteando por la ribera,” written in 1975, comes from an era when Tango was undergoing a resurgence, preserving cultural heritage amid modernizing influences in Argentina. The setting along the “ribera” likely reflects iconic areas in Buenos Aires, known for its picturesque riverside walkways which historically have been inspirational backdrops in Tango music. The emotional undertones and cultural references potentially serve as a metaphor for the enduring, yet ever-evolving, nature of Argentine identity and traditions through the period’s social and political changes.
Yaraví, an Argentine lyricist, is known for infusing his compositions with deep emotion and cultural richness, elements that are clearly evident in “Coqueteando por la ribera.”