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Coperita posta

Coperita posta is a Tango written by and recorded by Osvaldo Fresedo in 1928. The Tango Coperita posta is written by , Osvaldo Fresedo has recorded Coperita posta with the singer Ernesto Famá.
“**Coperita Posta**” translates to “**The Belated Drink**” in English. This evocative title captures the essence of a moment suspended in time, where lingering embraces and wistful glances collide with the shadows of a dimly lit bar. It’s a soulful tango where stories untold mix with the clink of glasses, echoing the bittersweet passage of time.

Tango

Style

Osvaldo Fresedo

Orchestra

Ernesto Famá

Singer

Author

Composer

1928/2/28

Date

Ernesto Famá
Ernesto Famá
Osvaldo Fresedo
Osvaldo Fresedo

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Lyrics Translation of the Tango Coperita posta

This is the translation of the Tango “Coperita posta” from Spanish to English. The English lyrics of the Tango “Coperita posta” have been done with AI.

Coperita posta recorded by Osvaldo Fresedo


Coperita posta is an instrumental Tango composed by .



Interpretation of Coperita posta

The title “Coperita posta” can be roughly translated to “Covered Post” in English. This suggests an intriguing, veiled message or a hidden story behind the music, perhaps evoking a sense of mystery or nostalgia. The piece could be interpreted as a reflection of secretive communication, just as letters once carried hidden sentiments, wrapped in an envelope. The instrumentation might convey this through subtle, flowing melodies interwoven with dynamic passages, capturing the essence of whispers and quiet exchanges under the shadow of twilight.



Osvaldo Fresedo and Coperita posta

Osvaldo Fresedo, known for his elegant and sophisticated style, brings “Coperita posta” to life with his orchestra’s unique sound that blends traditional tango rhythms with a sense of refinement and class. The piece was recorded in the early part of 1928, a period when Fresedo’s orchestra was gaining prominence. Under Fresedo’s direction, the music becomes a dance of shadow and light, playing with the contrasts implied by the title “Coperita posta” and engaging the listener in a rhythmic dialogue that speaks without words.