Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Copas amigas y besos is a Tango written by and composed by Mariano Mores.
This tango tells a poignant story of love, regret, and introspection, following a narrative of lost romance as the protagonist reflects on how wealth has altered his life. Initially embraced by the warmth and affection during the cold nights of a bohemian lifestyle, the author laments the loss of his beloved to his reckless decisions. The tango captures a journey from poverty to affluence, and with it, the transformation of personal relationships. Despite the material gain, the protagonist is haunted by memories and a profound sense of loss.
The lyrics are imbued with rich symbolism, using “copas” (cups) and “besos” (kisses) to represent both celebration and intimate connections that have been compromised. The “grata tibieza” (pleasant warmth) symbolizes the comfort and affection that was lost with time and choices. “Flores de anemia” (flowers of anemia) and “gotas de llanto contenido” (drops of contained tears) poignantly depict the fragility and repressed sorrow of the narrator. Additionally, “un eco que me sigue” (an echo that follows me) signifies the lingering consequences and guilt that haunt him.
Created in Buenos Aires in 1944, “Copas amigas y besos” emerges from an era when tango was a powerful cultural expression reflecting the complex social dynamics of Argentina. This was a time of significant urbanization, where individuals faced changing social statuses and personal dilemmas amidst a city that was both vibrant and challenging. The historical context of coming from a life of poverty to acquiring wealth can be seen as mirroring the socio-economic shifts occurring in Argentina, highlighting the personal costs of such transitions.
Mariano Mores was a renowned Argentine composer, pianist, and conductor known for his contributions to tango music, especially during the mid-20th century.