Fabrice Knecht Tango DJ

Contrabajissimo

Contrabajissimo is a Tango written by Astor Piazzolla and recorded by Astor Piazzolla in 1986. Astor Piazzolla has recorded Contrabajissimo as an instrumental Tango.
“Contrabajissimo,” translated into English as “Double Bassissimo,” evokes the deep, resonant voice of the double bass. In its sonorous whispers and bold declarations, the instrument tells tales of passion woven through the soft shadows of twilight. This piece encapsulates the dance of melancholy and joy, capturing the heart of Tango with profound, resonating strings.

Tango

Style

Astor Piazzolla

Orchestra

Instrumental

Singer

Author

Astor Piazzolla

Composer

1986/1/1

Date

Instrumental
Instrumental
Astor Piazzolla
Astor Piazzolla

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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Contrabajissimo recorded by other Orchestras

Contrabajissimo recorded by other Orchestras

1986/1/1 – Amigos que yo quiero – Jose Basso
1986/1/1 – Amor y Tango – Jose Basso
1986/1/1 – Con alma y vida – Jose Basso
1986/1/1 – Desorientado – Jose Basso
1986/1/1 – Despues del carnaval – Jose Basso
Contrabajissimo – 1987/1/1 – Astor Piazzolla – Instrumental
Contrabajissimo – 1986/1/1 – Astor Piazzolla – Instrumental

Contrabajissimo recorded by Astor Piazzolla


Contrabajissimo is an instrumental Tango composed by Astor Piazzolla.



Interpretation of Contrabajissimo

“Contrabajissimo” in English translates to “very contrabass” or “very double bass.” This title suggests an emphasis on the depth, richness, and intensity that the contrabass instrument can bring to a piece of music. Within this tango, listeners might imagine the contrabass as the backbone, providing a profound and resonant foundation. Its deep tones may evoke a sense of mystery and drama, intertwined with the passion typical of tango music. The composition likely showcases intricate interplay between the contrabass and other instruments, allowing the contrabass to shine as a lead voice while also weaving seamlessly into the ensemble’s texture.



Astor Piazzolla and Contrabajissimo

Astor Piazzolla, known for revolutionizing traditional tango into a new style termed nuevo tango, fused the dance rhythms of tango with elements of jazz and classical music. “Contrabajissimo,” created in 1986, reflects his innovative spirit, showcasing his deep understanding of and respect for traditional tango while pushing its boundaries. In collaborating with his tango orchestra, Piazzolla likely intended “Contrabajissimo” to highlight the versatility and emotive power of the contrabass, emphasizing its central role in a genre typically dominated by bandoneón and violin. This piece would have been a testament to Piazzolla’s mastery in crafting music that is both profoundly moving and rhythmically complex.