Contrabajeando is a Tango written by Aníbal Troilo and recorded by Aníbal Troilo in NaN. Aníbal Troilo has recorded Contrabajeando as an instrumental Tango.
“Contrabajeando,” or “Double Bassing,” resonates like the deep hum of a river’s undercurrent. Its name suggests a dance between shadows and strings, where the double bass weaves its low, brooding melody beneath the surface. Through each note, the rhythm pulses with a heartbeat of passion and mystery, echoing the soul of tango’s unseen depths.
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Contrabajeando is an instrumental Tango composed by Aníbal Troilo.
Interpretation of Contrabajeando
“Contrabajeando” translates to “Playing the Double Bass” in English. As an instrumental piece, the name suggests a focus on the double bass, an integral instrument in the tango orchestra. The music likely features intricate, rich bass lines that drive the rhythm and mood of the piece. Imagine the deep, resonant tones of the double bass leading the orchestra through a dynamic tango arrangement. The piece might explore a range of emotions, from melancholic to vibrant, showcasing the versatility and depth of the double bass, creating a dialogue with the other instruments.
Aníbal Troilo and Contrabajeando
Aníbal Troilo, a renowned bandoneon player and composer, crafted “Contrabajeando” to highlight the tango orchestra’s rhythmic foundation. Known for his emotive style and profound understanding of tango, Troilo’s arrangement likely offers a blend of traditional and innovative elements, allowing the double bass to shine within the ensemble. The piece not only represents Troilo’s mastery but also embodies the essence of tango music—passionate, complex, and deeply rooted in Argentine culture.