Contra luz is a Tango written by Horacio Susena and recorded by Juan D’Arienzo in 1947. Juan D’Arienzo has recorded Contra luz as an instrumental Tango.
“Contra luz,” meaning “Against the Light” in English, evokes a dance of shadows and brilliance, where each note captures the tension between obscurity and illumination. The tango’s melody swirls like two figures intertwining beneath the twilight, challenging the boundaries between clarity and mystery. It invites the listener to embrace the delicate balance of seeing and being seen.
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Contra luz is an instrumental Tango composed by Horacio Susena.
Interpretation of Contra luz
“Contra luz,” translated to English as “Against the Light,” evokes a sense of contrast and shadows through its vibrant and rhythmic tango melodies. The composition plays with the themes of darkness and light, much like a silhouette standing against a bright backdrop. The music explores the push and pull between clarity and obscurity, creating an emotional journey. As the melody unfolds, you can envision figures elegantly dancing in the twilight, with the sharp precision of each movement highlighted against the soft glow of the setting sun. The piece might start with a slow, mysterious introduction and gradually build intensity, showcasing an interplay of sharp staccatos and smooth legato lines, capturing the essence and drama of tango.
Juan D’Arienzo and Contra luz
Juan D’Arienzo, known as the “King of Rhythm,” brings his characteristic energy and dynamism to “Contra luz.” His orchestra accentuates the rhythmic heartbeat of this tango, compelling listeners to move to its infectious beat. Under D’Arienzo’s direction, the orchestra’s vigorous execution amplifies the piece’s narrative, highlighting the contrast inherent in the title. The violin’s melodies soar over the robust backbone of piano and bandoneon, drawing the listener into an interplay of light and shadow, trademark of both D’Arienzo’s style and the evocative nature of the piece “Contra luz.”