Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Confesión is a Tango written by Enrique Santos Discépolo and composed by Enrique Santos Discepolo.
“Confesión” reveals the poignant inner dialogue of a person who deliberately loses the love of their life, believing such a sacrifice will better the loved one’s life. This act of self-sacrifice is encapsulated in the lines “Fue a conciencia pura que perdí tu amor… ¡Nada más que por salvarte!” emphasizing it was a conscious decision made solely to ‘save’ the other. The protagonist sees themselves as unworthy (“fui un fracasao”) and their life’s downturn as a means to shield their beloved from downfall.
The symbolism in “Confesión” is rich, with contrasts between light and darkness, and royalty and downfall. For example, the former lover is portrayed as radiant, “Ibas linda como un sol… ¡Se paraban pa’ mirarte!”, symbolizing how they glow and excel in life post-separation, viewed by the narrator as a queen, “al verte hecha una reina.” This idealization contrasts starkly with the self-deprecating view of the speaker, emphasizing the gulf they feel between their respective fortunes and reinforcing their belief in the necessity of their sacrifice.
Released in 1965 in Argentina, “Confesión” emerges during a period of significant social and political change. The themes of suffering, sacrifice, and economic disparity resonate with many during this time, mirroring the tumultuous socio-economic landscape of Argentina. This backdrop enriches the narrative, perhaps paralleling the personal sacrifices individuals felt compelled to make for the greater good, or as a reflection of the broader sacrifices witnessed across society.
Enrique Santos Discépolo was an influential Argentine tango and milonga musician and composer, renowned for his profound and emotionally charged lyrics.