Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Condesita is a Tango written by Stella Zoppi, Mario Battistella and composed by Onofrio Venditti.
The lyrics of “Condesita” depict a journey characterized by pain and yearning, as the singer reflects on the emotional burden carried through valleys of sorrow for the sake of love. The narrative explores a deep sense of devotion and the transformative power of love that helps overcome life’s greatest challenges. The title “Condesita,” which translates to “little countess” in English, hints at the reverence and affection the speaker holds for their beloved.
Symbolism in “Condesita” enhances the emotional depth of the lyrics. The recurring images of valleys, a cross, and tears symbolize a journey of suffering and sacrifice. The “bridge of crystal” represents a fragile yet hopeful passage to a better future, reflecting both vulnerability and strength in the face of adversity. The night’s cloak, “illuminated by our tears,” suggests that the depth of their shared sorrow amplifies the beauty and eternal nature of the love they share.
Recorded in 1946, “Condesita” emerges in post-World War II Argentina, a period marked by significant political and social change. This era saw the rise of Juan Domingo Perón and a focus on national identity and cultural expression, including the tango. The song’s themes of enduring hardship for love and triumph could mirror the broader collective sentiment of resilience and rebuilding prevalent among Argentines during this transformative period.
Stella Zoppi and Mario Battistella were notable figures in the Argentine Tango scene, contributing richly to its lyrical and musical landscape.