Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Con permiso is a Tango written by [Author Name] and composed by Alberto Mastra.
The tango “Con permiso” tells a poignant story of a return and a longing to reconnect with past memories. It conveys a deeply emotional narrative about a milonga returning to the embrace of its roots, eagerly wishing to reclaim its place as a cherished dance form. The milonga speaks as if personified, acknowledging its age and fearing irrelevance, yet clinging onto the hope of being remembered and loved for what it once was.
The lyrics are rich with symbolism, such as the milonga being a “muse of the people,” which underscores its cultural significance and emotional impact on society. The phrase “soy milonga y en cualquier parte que piso no me gusta estar de más” can be seen as an expression of modesty, indicating a desire to belong and not impose. Additionally, references to aging and the plea to not mention its weariness illuminate the universal anxiety of becoming outdated, resonating with anyone who fears being left behind.
Written in 1944 Buenos Aires, Argentina—a critical era in tango history— this piece captures a moment when tango was experiencing transformation amidst social and cultural change. This tango reflects a deep attachment to traditional roots while acknowledging the inevitable evolution and passage of time. The mention of Carriego, a poet known for capturing Argentine culture, further anchors the piece in a time when tango and poetry were cultural cornerstones.
[Author Name] was a distinguished figure in the tango community, known for their poignant storytelling through lyrics. Contributing significantly to the cultural tapestry of Buenos Aires, their works continue to resonate with themes of nostalgia and identity.