Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Compañero is a Tango written by Enrique Maroni and composed by Juan de Dios Filiberto.
“Compañero” delves into the theme of heartache stemmed from unrequited love, with a pensive narrative that explores the depths of personal suffering and resolve. The lyrics depict an individual’s plea for their beloved to forget them, acknowledging the pain that their love has caused. It illustrates a poignant resignation to fate, characterized by a self-sacrificial kind of love where the speaker wishes happiness upon the beloved, even if it means personal torment.
Enrique Maroni uses vivid symbolism and metaphors to enhance the emotional gravity of the lyrics in “Compañero.” Phrases like “born like the air’s carnation,” symbolize the natural and untamed spirit of the narrator, while the “bitterness” added to their saga through continued remembrance reinforces the pain of unfulfilled love. Notably, the guitar’s soul “dying on my gate” metaphorically conveys the speaker’s profound emotional turmoil and lingering resonance of a past love.
Intertwined with the broader cultural backdrop of Argentina in 1963, “Compañero” resonates with themes of emotion and passion, reflective of the national character and the turbulent socio-political climate of the time. This period in Argentina was marked by social and political unrest, which might mirror the tumultuous and harrowing lyrical content of facing life’s struggles and injustices, akin to the personal battles fought by the tango’s protagonist.
Enrique Maroni was a renowned Argentine lyricist and playwright, contributing significantly to the world of tango with his deeply emotional and narrative lyrics.