Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Como una de tantas is a Tango written by Carlos Bahr and composed by Carlos Lázzari.
The song Como una de tantas (Like One of So Many) delves into a tale of disappointment and betrayal in love. The narrator confronts his lover, expressing disillusionment upon discovering her unfaithfulness. There’s a sense of deep betrayal, not just from the infidelity but from the shattering of trust and the realization that the lover is not who he thought she was—instead, she’s like “one of so many” who can easily give herself to others without remorse.
The symbolism in the lyrics is predominantly dark, highlighting themes of disillusionment and the loss of innocence in love. Phrases like “Tu destino es ir rodando por las calles del amor” (Your destiny is to roll through the streets of love) metaphorically suggest a loss of direction, dignity, and the constant changing of partners. Another impactful phrase, “No esperé nunca de vos… Esta sucia canallada,” (I never expected from you… This dirty foul play) uses the imagery of dirt and play to depict the deceit’s unexpected and filthy nature.
Recorded in 1955, this tango reflects the cultural and societal attitudes prevalent in Argentina during the 1950s—a period marked by a mix of conservatism and the beginnings of social change post-World War II. During this time, the traditional values of love and marriage were often challenged, yet the stigma surrounding infidelity remained strong. This historical context adds a layer of understanding to the passionate outcry and the moral judgment expressed in the song’s lyrics.
Carlos Bahr was a renowned poet and tango lyricist, famous for exploring themes of love, betrayal, and societal norms within his works.