Fabrice Knecht Tango DJ

Como el humo (2)

Como el humo (2) is a Tango written by and recorded by Osvaldo Fresedo in 1928. The Tango Como el humo (2) is written by , Osvaldo Fresedo has recorded Como el humo (2) with the singer Ernesto Famá.
The piece “Como el humo (2)” translates to “Like the Smoke (2)” in English. This evocative title suggests a melody that is both ephemeral and intangible, drifting effortlessly through the air. Just as smoke dances and swirls, so too does the music, capturing fleeting emotions and memories, leaving only a whisper of its presence lingering.

Tango

Style

Osvaldo Fresedo

Orchestra

Ernesto Famá

Singer

Author

Composer

1928/6/13

Date

Ernesto Famá
Ernesto Famá
Osvaldo Fresedo
Osvaldo Fresedo

Discover Other Orchestras

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Lyrics Translation of the Tango Como el humo (2)

This is the translation of the Tango “Como el humo (2)” from Spanish to English. The English lyrics of the Tango “Como el humo (2)” have been done with AI.

Como el humo (2) recorded by Osvaldo Fresedo


Como el humo (2) is an instrumental Tango composed by .



Interpretation of Como el humo (2)

Translated to English, “Como el humo” means “Like Smoke.” As an instrumental piece performed by Osvaldo Fresedo’s orchestra, the music likely captures the ephemeral and intangible qualities of smoke. The tango might start with a light and airy melody, replicating the gentle rise of smoke. Strings and bandoneon could intertwine with harmonious yet fleeting motifs, creating an atmosphere of mystery and allure. The dynamic shifts and swirls in the arrangement may evoke the way smoke dances through the air, filling the room with an ambiance of elegance and nostalgia. The performance, anchored by the tango’s characteristic rhythm, transports the listener through a journey that mirrors the fading nature of smoke, leaving a lingering memory of its presence.



Osvaldo Fresedo and Como el humo (2)

Osvaldo Fresedo, a renowned tango orchestra leader, orchestrated “Como el humo (2)” with his signature style, combining classic tango elements with a sophisticated and polished sound. His orchestra, known for its smooth arrangements and emotive performances, brings the composition to life with a blend of passion and precision. Performing in the late 1920s, Fresedo’s interpretation of the piece would have been a testament to the tango’s evolution, capturing both the traditional essence and contemporary nuances of the genre. Through “Como el humo (2),” Fresedo invites listeners into a world where music transcends the physical and resonates with the intangible, much like the smoke it embodies.