Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Colibriyo is a Tango written by Pascual Martínez. The music of this piece immerses listeners in the vivid and emotionally charged world of Buenos Aires in the late 1920s.
At its core, “Colibriyo” tells the tale of a charmingly deceitful young man known as “Colibriyo,” adored and perhaps mocked by young societal elites. Despite his lovable facade, there’s a sense of transience and shallowness in his encounters, as he moves through the vibrant yet challenging landscape of Buenos Aires. His nickname and interactions hint at a boyish roguishness combined with a longing for acceptance.
The use of “Colibriyo,” a diminutive form likely derived from ‘colibrí’ (hummingbird), suggests a light, fleeting nature—a person who flits from one place to another, capturing attention but never settling. The line “esas nenas de mamita” conveys a certain disdain or jealousy from the young ladies of affluent families, illustrating class distinctions and perhaps a hint of rebellion against societal expectations. The term “conventillo” refers to the communal living quarters, underscoring themes of socio-economic disparity, while “piquero de ocasión” portrays him as an opportunist who takes advantage of circumstances, offering both adventure and critique.
Written in 1929, “Colibriyo” emerges in a Buenos Aires experiencing rapid urbanization and cultural change. This period saw strong European influences merging with local traditions, cultivating a rich yet polarized environment commented upon through Tango. The tango’s narrative reflects the experiences of many in the emerging metropolis—balancing between traditional roots and modern aspirations, poverty and the endeavors to climb the social ladder amidst economic and social upheaval.
Pascual Martínez was a significant figure in the Tango music scene, contributing richly through his compositions, which captured the spirit and complexity of early 20th-century Argentine society, resonating deeply with both local audiences and beyond.