Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Cobrate y dame el vuelto is a Tango written by Enrique Dizeo and composed by Miguel Caló.
“Cobrate y dame el vuelto,” directly translated to English as “Charge me and give me the change,” encompasses a metaphorical expression of demanding closure or settlement in turbulent relationships. The lyrics navigate the stormy interactions between a couple, highlighting themes of misunderstanding, conflict, and demands for dominance. Enrique Dizeo artfully captures the dynamic where past grievances are settling up, and emotional debts are called to be paid.
Dizeo’s tango is rich in symbolism, portraying the relationship’s strife through vivid imagery. Key phrases such as “Vivir así es un calvario,” or “Living like this is a calvary,” and the chilling finale of threatening with “con el filo de la plancha” (“with the edge of the iron”) symbolize the destructive, painful nature of the ongoing conflict. The references to “curda” (drunkenness), and “milonga” (a type of music and dance that prefigures tango) juxtapose the disorderly personal life and the culture of tango, marked by its expressive depth and complexity.
The song, emerging from 1972 Argentina, reflects a period of significant social and political turmoil, which is mirrored in the personal turbulence depicted in the lyrics. This era in Argentina’s history was rife with cultural shifts and conflicts, which might have influenced Dizeo’s portrayal of domestic upheaval and the struggle for control and authority within personal relationships.
Enrique Dizeo was a prominent Argentine lyricist known for his poignant and often poignant explorations of interpersonal dynamics through tango. His works frequently reflect deeper societal undercurrents.