Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Cobardia is a Tango written by Luis César Amadori and composed by Charlo.
“Cobardia” translates to “Cowardice” in English, reflecting a theme of emotional vulnerability and desperation. The lyrics express the torment and suffering of a person who is aware of being deceived in love yet chooses to cling to lies rather than accept the painful truth. There’s a harrowing depiction of one-sided affection where the speaker pleads for reassurances of love that they know are false. The protagonist’s acknowledgment of their partner’s infidelity, coupled with their willingness to accept deceit as comfort, paints a poignant picture of cowardice in love.
The tango uses physical responses to signify deep emotional pain and betrayal. Phrases like “when I don’t kiss you I can’t breathe” symbolically represent how central the loved one is to the narrator’s existence, making their betrayal suffocating. Additionally, the act of closing one’s eyes to hear the partner’s false assurances highlights a willful ignorance, a chosen blindness to reality which is a potent symbol of cowardice. These symbolic elements enhance the theme of suffering and the tortuous grip of a deceitful relationship.
Released in 1950s Argentina, a period marked by political and social upheaval, “Cobardia” might also be seen as a reflection of the broader societal context. This was a time when Argentina faced significant changes and uncertainties, potentially mirroring the personal turmoil and insecurity expressed in the tango. The plea for truth amidst deceit could metaphorically resonate with a society grappling with its own truths and lies.
Luis César Amadori was an influential Argentine director, screenwriter, and lyricist known for his profound contributions to the Argentine cinema and music scene.