Fabrice Knecht Tango DJ

Claro de luna (2)

Claro de luna (2) is a Tango written by and recorded by Osvaldo Fresedo in 1928. Osvaldo Fresedo has recorded Claro de luna (2) as an instrumental Tango.
“Claro de luna (2),” or “Moonlight (2),” unveils a serene dance of shadows and silver whispers. This evocative title suggests a tranquil nightscape, where the moon’s ethereal glow gently caresses the world below. The music paints a vivid tableau of mystery and wonder, inviting listeners to lose themselves in the quiet allure of nocturnal beauty.

Tango

Style

Osvaldo Fresedo

Orchestra

Instrumental

Singer

Author

Composer

1928/6/5

Date

Instrumental
Instrumental
Osvaldo Fresedo
Osvaldo Fresedo

Discover Other Orchestras

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Claro de luna (2) recorded by Osvaldo Fresedo


Claro de luna (2) is an instrumental Tango composed by .



Interpretation of Claro de luna (2)

Translated to English, “Claro de luna” means “Moonlight.” This title evokes the serene and mystical qualities often associated with the moon. “Claro de luna (2)” as performed by the Tango Orchestra Osvaldo Fresedo, likely captures this ethereal and atmospheric essence through its melody and arrangement. Imagine the soft glow of moonlight casting a gentle light over a quiet scene, creating an ambiance filled with emotion and nuance. The music might weave delicate harmonies with passionate undertones, mirroring the dance between light and shadow, tranquility and intensity. The composition might invite listeners to envision night-time landscapes or moments of introspection, embodying the poetic beauty of moonlight.



Osvaldo Fresedo and Claro de luna (2)

Osvaldo Fresedo was a prominent figure in the Tango scene, known for his refined and elegant orchestral style. With “Claro de luna (2),” Fresedo’s orchestra would likely bring out the graceful subtleties of the composition, employing rich instrumental textures and a balanced blend of rhythm and melody. His interpretation might emphasize the romantic and nostalgic elements inherent in the music, making it a memorable listening experience. Fresedo’s ability to combine technical skill with emotional depth would ensure that “Claro de luna (2)” resonates with audiences, showcasing the timeless allure of Tango music and its ability to convey profound meaning without words.