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Cien guitarras

Cien guitarras is a Milonga written by Arturo Gallucci and recorded by Florindo Sassone in 1947. The Milonga Cien guitarras is written by Arturo Gallucci, Florindo Sassone has recorded Cien guitarras with the singer Jorge Casal.
“Cien Guitarras,” meaning “One Hundred Guitars,” echoes the soul of a tango with every strum. Each guitar weaves its own tale, a symphony of lives coming together in harmonious union. Together, they create a tapestry of sound, where passion and longing dance hand in hand, embracing the heart with their timeless melody.

Milonga

Style

Florindo Sassone

Orchestra

Jorge Casal

Singer

Raúl Hormaza

Author

Arturo Gallucci

Composer

1947/11/13

Date

 Jorge Casal
Jorge Casal
Florindo Sassone
Florindo Sassone

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Cien guitarras recorded by other Orchestras

Cien guitarras recorded by other Orchestras

Lyrics Translation of the Milonga Cien guitarras

This is the translation of the Milonga “Cien guitarras” from Spanish to English. The English lyrics of the Milonga “Cien guitarras” have been done with AI.

Letra del Milonga Cien guitarras

El otro día el cartero

al pasar me dio una carta,

al pasar me dio una carta,

fue muy grande la sorpresa,

le aseguro compañero,

temblé porque nunca espero

tener alguna misiva,

abrí la carta enseguida,

y asómbrese hermano mío,

me invitaban a pedido

los muchachos de allá arriba.



Escuchen quiero contarles

lo que la carta decía,

lo que la carta decía:

Para Usted, con alegría,

esta carta le mandamos,

sabrá que nos encontramos

unidos y muy contentos,

que pronto iremos al centro

en un desfile imponente,

por esa calle Corrientes

a la que tanto queremos.



Desfilarán bandoneones

violines, flautas y violas,

violines, flautas y violas,

La Paquita, Bardi, Arolas,

Maglio, Pacho, el Pibe Ernesto,

también Betinotti, Greco,

Contursi con su arrrabal,

Magaldi, el sentimental,

todos iremos al centro

para que quede ese encuentro

como un recuerdo inmortal.



Las violas irán al frente

de malvón bien prefumadas,

de malvón bien prefumadas,

por un ángel adornadas

en color blanco y celeste,

y aunque nombrarlo me cueste

es tanto el cariño a él,

hágame caso esta vez

pare el tránsito le pido:

“Mi Buenos Aires querido

cuando yo te vuelva a ver”,

viene cantando Gardel.

English lyrics of the Milonga "Cien guitarras"

The other day the postman

handed me a letter as he passed,

handed me a letter as he passed,

the surprise was very great,

I assure you, comrade,

I trembled because I never expect

to receive any mail,

I opened the letter right away,

and marvel, my brother,

I was invited by request

from the boys up there.



Listen, I want to tell you

what the letter said,

what the letter said:

For You, with joy,

we send this letter,

you will know that we are

united and very happy,

that soon we will go downtown

in a grand parade,

along that Corrientes Street

we hold so dear.



Bandoneons will parade

violins, flutes, and violas,

violins, flutes, and violas,

La Paquita, Bardi, Arolas,

Maglio, Pacho, young Ernesto,

also Betinotti, Greco,

Contursi with his arrabal,

Magaldi, the sentimental,

all will go downtown

to make that meeting

an immortal memory.



The violas will go up front

very fragrant with geranium,

very fragrant with geranium,

adorned by an angel

in white and sky blue,

and although it’s hard to mention,

such is the affection for him,

heed me this time

I ask you to stop the traffic:

“My dear Buenos Aires

when I see you again”,

comes singing Gardel.

Cien guitarras by Raúl Hormaza

Cien guitarras is a Tango written by Raúl Hormaza and composed by Arturo Gallucci.



Story behind the Tango Cien guitarras

The essence of ‘Cien guitarras’ emerges through a letter that the narrator receives, unexpectedly detailing a grand reunion of tango legends in the afterlife, expressing their everlasting bond to Buenos Aires and its iconic street, Calle Corrientes. This poignant narrative celebrates tango’s timeless influence and the community’s collective memory, tracing the spectral presence of music and the undying affection for their beloved city.



Symbolism of Cien guitarras

The symbolism in ‘Cien guitarras’ is deeply entrenched in reverence for tango culture. The “cien guitarras” metaphorically represent the multitude of emotions, stories, and artists that have strummed the heartstrings of the Buenos Aires populace. Iconic figures like Gardel, their songs, and the instrumental parade mentioned symbolize the permeating spirit of tango that outlives the physical existence of the artists themselves. The reference to “malvón bien perfumadas” (well-scented geraniums) adorned by an angel in Argentina’s colors adds a layer of national pride and honor for the beloved city, further intensifying the emotional depth of the homage.



Cien guitarras in historic Context

‘Cien guitarras’ encapsulates a post-World War II sentiment prevalent in 1947, a time when Argentina was a melting pot of cultural renaissance amidst political shifts. Buenos Aires, known for tango’s golden age during the 1930s and 1940s, finds a reflective callback in this tango to the era’s glorious past. Calle Corrientes, mentioned in the lyrics, is celebrated as an enduring cultural artery, bridging the nostalgic past with the dynamic present. It establishes an immortal cultural link through the imagined parade of past music icons, a dreamlike assertion of tango as an undying soul of the city.



Raúl Hormaza

Raúl Hormaza is remembered as a poignant lyricist whose works often delved deep into the cultural and emotional tapestry of Argentina.