Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Che timbero is a Tango written by Héctor Bello Schmitt and composed by César Zagnoli.
The Tango “Che timbero” narrates the life of an inveterate gambler, tracing his journey from hope through despair. The lyrics provide a vivid description of the gambler’s life, highlighting his visits to various gambling spots from Mar del Plata to Palermo and clandestine meetings in San Isidro. It depicts his relentless addiction to gambling, emphasized by the rolling of the dice, which keeps him constantly on the move, unable to settle or find stability. His engagements lead him to financial ruin, evidenced by his inability to afford even simple travel by the week’s end.
“Che timbero” employs strong symbols to reflect the destructive path of gambling. The rolling “bola” (ball) symbolizes fate’s uncontrollable nature and the gambler’s subservience to chance. The repetitive nature of his activities, “siempre en la rúa,” underlines a life of constant unrest and instability. The phrases “la timba ya se llevó” and the eventual mention of potentially ending up “mangando en la Catedral” (begging at the Cathedral) symbolize the deep fall from potential grace and societal respect to abject desperation and isolation.
The Tango “Che timbero” was crafted in 1965, a tumultuous period for Argentina marked by political instability and social unrest. This era saw the rise of different societal issues including gambling which was both a popular pastime and a vice. The locations mentioned like Mar del Plata, Palermo, and San Isidro are significant as they are known for their affluent societies and, at times, their clandestine gambling activities. The mention of these places reflects the widespread nature of gambling cutting across different societal classes. The cultural reflection of gambling as both a moral and economic problem is poignantly captured in this Tango.
Héctor Bello Schmitt was an insightful lyricist known for his ability to encapsulate deep societal issues within the rhythmic and emotive confines of Tango.