Fabrice Knecht Tango DJ

Che Fulano

Che Fulano is a Tango written by Félix Lípesker and recorded by Juan D’Arienzo in 1958. The Tango Che Fulano is written by Félix Lípesker, Juan D’Arienzo has recorded Che Fulano with the singer Mario Bustos.
“Che Fulano” translates to “Hey So-and-So” in English. This name evokes the enigmatic presence of a mysterious figure whose identity is cloaked in vagueness yet brimming with stories untold. It is a nod to every shadowed stranger whose footsteps echo in the rhythm of the night, captivating us with the allure of the unknown.

Tango

Style

Juan D'Arienzo

Orchestra

Mario Bustos

Singer

Reinaldo Yiso

Author

Félix Lípesker

Composer

1958/11/12

Date

Mario Bustos
Mario Bustos
Juan D'Arienzo
Juan D’Arienzo

Discover Other Orchestras

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Lyrics Translation of the Tango Che Fulano

This is the translation of the Tango “Che Fulano” from Spanish to English. The English lyrics of the Tango “Che Fulano” have been done with AI.

Letra del Tango Che Fulano

Siempre tenés, repleta la cartera

Por algo sos el “beibi” de mamá,

Y te juntás con gente de alta esfera

Porque decís, “yo soy un chico bian”.

Qué loco sos, qué mono y bandolero

Dicen de vos, las chicas de la “buat”

Y vos te creés que sos un “Juan Guerrero”

Porque tomás de un sorbo tu champán.



Adónde vas, che fulano

Con tu vida artificial,

Dejá esa barra de locos

Pocho, Bebe, el silba foxtrot

Y sé un hombre de verdad.

Adónde vas, che fulano

Con tu vida artificial,

En menos de una semana,

Haciendo saltos de rana

A vos te cambio el compás.



Tu “vuaturet” pasea a toda hora,

Porque es muy chic, al golf también jugás,

Y te vestís al grito de la moda

Por algo sos el nene de mamá…

Que risa, che, me da cuando te miro

Pasar así, con tanta vanidad,

Tenés cartel de chico distinguido

Y para mí, sos “cero” y nada más.

English lyrics of the Tango "Che Fulano"

You always have your purse full,

For you’re surely mama’s “baby”,

And you mingle with high society

Because you say, “I am a fine young man.”

How crazy you are, so cute and roguish,

Say the girls at the “club”

And you believe you’re a “Juan Guerrero”

Because you drink your champagne in one gulp.

Where are you going, hey man,

With your artificial life,

Leave that crazy crowd,

Pocho, Bebe, the one who whistles the foxtrot,

And be a real man.

Where are you going, hey man,

With your artificial life,

In less than a week,

Doing frog jumps,

I’ll change your rhythm.

Your “little car” strolls around all the time,

Because it’s very chic, you also play golf,

And you dress according to the latest scream of fashion

For you’re surely mama’s boy…

How funny, hey, it makes me laugh when I see you

Walking like that, with so much vanity,

You have the label of a distinguished young man

And to me, you’re “zero” and nothing more.

Che Fulano by Reinaldo Yiso

Che Fulano is a Tango written by Reinaldo Yiso and composed by Félix Lípesker.



Story behind the Tango Che Fulano

‘Che Fulano’ portrays a character leading a superficial and ostentatious life inspired by societal influences and familial support. The protagonist, referred to using the Argentinian slang ‘Che Fulano’, is depicted as a wealthy, pampered individual (“el ‘beibi’ de mamá”) who seems to indulge excessively in a lifestyle fueled by vanity and materialism. This spirited tango assesses the hollowness of such a life using a judgmental, yet somewhat playful tone, urging the person to embrace authenticity and discard artificial pretenses.



Symbolism of Che Fulano

The recurring symbol of an “artificial life” in the tango hints at the detrimental effects of pursuing superficiality. Key phrases such as “vida artificial”, “barra de locos” and the repeated questioning “Adónde vas, che fulano” signify a sense of directionlessness and wasted potential. The reference to “vuaturet” and mentioning activities like drinking champagne or playing golf at chic locations accentuate the character’s vain lifestyle. ‘Che Fulano’ is thus symbolically used to critique those living an unauthentic life disguised behind social status and material wealth.



Che Fulano in historic Context

The tango’s critique falls into the late 1950s context in Argentina, a period characterized by political instability and socio-economic changes. This was a time when exposure to global fashion and culture was increasing, and disparities between different social classes were more pronounced. ‘Che Fulano’ mirrors these elements by tapping into themes of wealth and social recognition versus real worth and integrity, challenging the societal values of that era towards a more truthful and substantial embodiment of life.



Reinaldo Yiso

Reinaldo Yiso was a significant lyricist in the tango genre, known for his astute commentaries wrapped in evocative language.