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Charamusca

Charamusca is a Tango written by Francisco Canaro and recorded by Juan D’Arienzo in 1965. Juan D’Arienzo has recorded Charamusca as an instrumental Tango.
“Charamusca,” translating to “Candy Cane” in English, infuses its melody with a vibrant sweetness and swirling rhythm. It dances through the air like an intricate sugar swirl, captivating the senses with its playful yet structured form. Each note spirals with charm and warmth, wrapping listeners in a delicate embrace reminiscent of festive warmth and nostalgic delight.

Tango

Style

Juan D'Arienzo

Orchestra

Instrumental

Singer

Author

Francisco Canaro

Composer

1965/8/11

Date

Instrumental
Instrumental
Juan D'Arienzo
Juan D’Arienzo

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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Charamusca recorded by other Orchestras

Charamusca recorded by other Orchestras

Charamusca recorded by Juan D’Arienzo

Charamusca is an instrumental Tango composed by Francisco Canaro.

Interpretation of Charamusca

The word “Charamusca” can be translated to English as “candy” or “lollipop,” and this lively tango composition lives up to its sweet name with its rich and vibrant instrumental arrangement. It evokes the enticing swirl of a charamusca candy, dancing rhythmically within the air. The music is dynamic and energetic, capturing the attention with its playful melodies and rhythmic precision. The orchestra’s arrangement is both inviting and invigorating, reflecting the charm and allure of Argentine street markets where charamuscas are savored.

Juan D’Arienzo and Charamusca

Juan D’Arienzo, known as “El Rey del Compás” or “King of the Rhythm,” brings his distinctive style to “Charamusca,” infusing it with his signature upbeat and rhythmic infusion that exemplifies the golden era of tango. Through D’Arienzo’s interpretation, the piece echoes with lively staccato notes, crisp phrasing, and an irrepressible drive that makes one want to sway and step to its jaunty cadence. The orchestra transforms Canaro’s composition into a danceable experience, maintaining D’Arienzo’s legacy of bringing exuberant energy to the traditional tango form.