Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Cascabelito is a Tango written by Juan Andrés Caruso and composed by José Bohr.
The lyrics of “Cascabelito” carry the listener back to the fervent and festive atmosphere of a Carnival, where anonymity empowers individuals to reconnect and express unrestrained joy. The song encapsulates a nostalgic and poignant reunion between the singer and a figure named ‘Cascabelito,’ a term affectionately used for someone wearing a jingling bell, often a feature in playful Carnival costumes. The essence of this reunion is deeply emotional, revolving around a rekindling of past love and cherished memories, making it a significant exploration of longing and remembrance in the setting of a vibrant celebration.
The name ‘Cascabelito,’ translating variously as ‘little bell’ or a diminutive, affectionate form of a bell, symbolizes the light and joyous nature of this person, reflected in their laughter and the luminous spirit they bring to the encounter. The lyrics, “Cascabel, Cascabelito; ríe, ríe y no llores,” encourage Cascabelito to laugh instead of cry, underlining the tango’s theme of finding joy amidst the transient meetings of life. The ringing of the bell also signifies the fleeting moments of happiness that resonate in memory, while the recurring Carnival represents cycles of joy and nostalgia in human experience. The song uses the vibrant imagery of the Carnival and the sound of bells to underscore a narrative of transient yet impactful emotional connections.
Although this tango is attributed a creation year of 1985, it is essential to note that both the cultural and musical essence of the lyrics hark back to an earlier period in the history of Argentina, when Tango was a burgeoning cultural expression. Tangos often encapsulate the melodramatic and passionate characteristics synonymous with Argentine culture. The historical settings, the mention of carnival, a popular public celebration, and the intimate personal connection suggest a complex interplay of personal and cultural narratives, enabling listeners to synchronise personal emotions with collective cultural experiences.
Juan Andrés Caruso was a prolific tango lyricist known for infusing his works with deep emotion and relatable narratives that resonated well with the Argentine populace.