Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Carrousel is a Tango written by Federico Silva and composed by Armando Pontier.
The lyrics of “Carrousel” evoke a poignant nostalgia reflecting on simpler times, infused with youthful memories and unattainable past moments. Silva’s words seem to draw on personal or observed experiences, centering around memories anchored in innocent childhood objects and moments, such as “un pequeño poema en menor” (a little poem in minor) and “un osito de trompa manchada en tu almohada” (a little bear with a stained snout on your pillow). These elements symbolize the pure, untainted memories that contrast sharply with the complexities of adult life.
In this tango, the carrousel symbolizes the unending cycle of memories and the inexorable passage of time. Phrases like “Carrousel, van rodando cansados / tus colores pintados a mano” (Carrousel, your hand-painted colors roll on wearily) suggest a fading vibrancy and the weariness of trying to hold onto the past. The recurring phrase “Nada más, nada más, nada más” (Nothing more, nothing more, nothing more) emphasizes the futility and emptiness in attempting to recapture what is gone, underlining a profound sense of loss and melancholy.
“Carrousel” was created in 1966, a period in Argentine history marked by social and political unrest. This backdrop might reflect why the tango resonates with themes of escape into the past and a yearning for simpler, more stable times. The mention of “tu infancia feliz de novela” (your happy childhood of novels) perhaps alludes to an idealized, almost fictional version of childhood, as remembered or wished by those facing adult discontentments and societal chaos.
Federico Silva was a notable lyricist in the Argentine tango scene, renowned for his ability to weave deep emotional narratives through simple yet poignant words.