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Cardo y malvón

Cardo y malvón is a Tango written by Osvaldo Pugliese and recorded by Osvaldo Pugliese in 1962. Osvaldo Pugliese has recorded Cardo y malvón as an instrumental Tango.
“Cardo y malvón,” meaning “Thistle and Geranium,” paints a vivid picture of contrast and coexistence. The thistle, with its prickly allure, represents resilience and untamed spirit, while the geranium embodies tenderness and vibrant beauty. Together, they form a harmonious dance, capturing the essence of life’s complexities, where strength and delicacy intertwine to create a captivating melody.

Tango

Style

Osvaldo Pugliese

Orchestra

Instrumental

Singer

Author

Osvaldo Pugliese

Composer

1962/6/1

Date

Instrumental
Instrumental
Osvaldo Pugliese
Osvaldo Pugliese

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Cardo y malvón recorded by Osvaldo Pugliese


Cardo y malvón is an instrumental Tango composed by Osvaldo Pugliese.



Interpretation of Cardo y malvón


“Cardo y malvón” translate to “Thistle and Geranium” in English. This title conjures an image of juxtaposition and contrast, which can be profoundly expressed through the music of Osvaldo Pugliese. In the instrumental form, “Cardo y malvón” could evoke a dynamic and expressive journey, starting with the sharp, assertive sounds symbolizing the “cardo” or thistle. Here, the music might be characterized by strong, dramatic strings and staccato piano notes that convey the intensity and resilience of the thistle.



As the piece progresses, it could transition into the softer, more melodic lines representing the “malvón” or geranium. This section might feature smoother legato passages and warm harmonies, illustrating a sense of beauty and tenderness amidst the rugged exterior of the thistle. Pugliese’s orchestra is known for its emotive, richly textured sound, and thus, this piece could masterfully blend elements of tension and resolution, crafting a narrative that reflects the complexity of emotions represented by “cardo y malvón.”



Osvaldo Pugliese and Cardo y malvón


Osvaldo Pugliese, a visionary of the Argentine tango, composed “Cardo y malvón” in 1962. Known for his innovative approach to tango, Pugliese’s rendition of this piece with his orchestra would embody both his command of rhythm and his penchant for emotional depth. The orchestra’s interpretation could bring to life the contrasts implied by the title, using the rich timbral palette and the intricate arrangements that Pugliese was celebrated for. Passionate violins, powerful bandoneóns, and a resonant piano could collectively create a tapestry of sound that not only embodies the spirit of tango but also conveys the poetic nature of “Cardo y malvón.”