Canzoneta by Enrique Lary

Canzoneta is a Tango written by Enrique Lary and composed by Erma Suárez.

Story behind the Tango Canzoneta

“Canzoneta,” which translates to a small, simple song, explores a profound narrative of longing and emotional desolation. The lyrics take us through a journey in the La Boca neighborhood, which is characterized by its vibrant yet somber ethos. Particularly poignant is the setting described in the song – la ‘Vuelta de Rocha’, a notable curve along the Riachuelo in La Boca, and a tavern where conversations are likely drowned out by Genaro’s accordion. These elements set the scene for a tale of personal despair and longing for past life and love.

Symbolism of Canzoneta

“Canzoneta” is steeped in symbolism that draws from deep emotional wells. The “gris de ausencia” (grey of absence) and “cruel malón de penas viejas” (cruel onslaught of old sorrows) express the profound sense of loss and the enduring weight of grief. The repeated references to Italian songs like ‘Oh sole mio’ and ‘Senza mamma e senza amore’ symbolize the narrator’s connection to their Italian roots and the isolation felt from being far from their homeland. The melody of the accordion played by Genaro underscores a connection to tradition, amplifying the song’s emotional intensity.

Canzoneta in historic Context

“Canzoneta” was created in 1954, a period when Argentina was experiencing critical social and political changes. Tango music often reflected the sentiments of the working classes and immigrants in Argentina, serving as an expression of their struggles and passions. Specifically, La Boca was predominantly inhabited by Italian immigrants, which deeply influenced the character of local music and culture. “Canzoneta,” recorded in this context, becomes an echo of both individual sorrow and collective nostalgia for an irrecoverable past.

Enrique Lary

Enrique Lary was a poet and lyricist known for his deep emotional insights and ability to capture the spirit of Argentine tango through his words.