Caña by Julián Araujo

Caña is a Tango written by Julián Araujo and composed by Enrique Esviza.

Story behind the Tango Caña

The lyrics of “Caña” delve deeply into themes of despair, escapism, and the haunting pain of unrequited love. The narrator describes himself as someone perceived by others as lost and misguided. His days are spent drinking (“Si hoy amanezco mareado”), a direct attempt to numb the anguish that permeates his being. The recurrent call for more liquor (“Sirva más caña, patrón”) seems to be both a plea for relief and a form of self-destruction.

Symbolism of Caña

Caña,” which translates to “cane” or “rum,” symbolizes a double-edged sword in these lyrics. While it offers temporary solace and oblivion, it is also described as a slow poison (“Dicen que sos un veneno”). This metaphor extends to life itself, seen as equally venomous in the absence of love (“La vida sí que es veneno / Si no la alienta un amor”). The alcohol becomes both his companion in solitude and the bitter reminder of his unfulfilled desires, making the substance a central symbol reflecting the dual aspects of pain and temporary relief.

Caña in Historic Context

Written in Argentina in 1949, a period marked by significant political and social transitions, “Caña” might reflect the collective existential uncertainties of that era. The reference to drinking to forget and the depiction of life as inherently bitter unless seasoned with love could mirror the broader societal attempt to find relief from the overarching social anxieties and personal disillusionments of the time.

Julián Araujo

Julián Araujo was an Argentine lyricist known for his contributions to tango, a genre deeply intertwined with the cultural and emotional tapestry of Argentina.