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Campaneando

Campaneando is a Tango written by Mauricio Saiovich and recorded by Carlos di Sarli in 1929. The Tango Campaneando is written by Mauricio Saiovich, Carlos di Sarli has recorded Campaneando with the singer Santiago Devincenzi.
“Campaneando,” or “Ringing Bells,” echoes with the rhythm of life’s uncertainties. The music sways like a tango, capturing the essence of anticipation and the watchful eye cast over fleeting moments. Each note rings out with a lingering sense of longing, as if listening for an unspoken answer hidden within the chimes of destiny.

Tango

Style

Carlos di Sarli

Orchestra

Santiago Devincenzi

Singer

Alejandro Gutiérrez del Barrio

Author

Mauricio Saiovich

Composer

1929/12/31

Date

Santiago Devincenzi
Santiago Devincenzi
Carlos di Sarli
Carlos di Sarli

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Lyrics Translation of the Tango Campaneando

This is the translation of the Tango “Campaneando” from Spanish to English. The English lyrics of the Tango “Campaneando” have been done with AI.

Letra del Tango Campaneando

En aquella calle
Que él también amó,
Y a su linda mina,
De costado en una esquina
Muchas veces esperó.

Y cerró los ojos
Para ver mejor,
El lejano día,
En que él creía
En el amor.

English lyrics of the Tango "Campaneando"

On that street
That he too loved,
And for his pretty girl,
On a street corner
He often waited.

And he closed his eyes
To see better,
The distant day,
When he believed
In love.

Campaneando by (Author’s Name)

Campaneando is a Tango written by (Author’s Name) and composed by Mauricio Saiovich.

Story behind the Tango Campaneando

The tango “Campaneando” captures a sense of nostalgia and longing, rooted deeply in personal memory and shared cultural experience. At its heart, the work revolves around a man reflecting on a past filled with love and hope, now silhouetted by the passage of time and the stark realism of lost dreams. The protagonist finds himself in a familiar street, enveloped by the melancholy of unfulfilled romantic aspirations that he once held dear. The enduring presence of the beloved woman serves as both a ray of warmth and a pain of absence, epitomizing a bittersweet relationship with the past.

Symbolism of Campaneando

The central motif of “Campaneando” is the metaphorical act of “watching” or “scanning,” as suggested by the title itself. Symbolically, it signifies the introspective watching of one’s own life unfold and the persistent surveillance of memories that refuse to fade. Phrases like “cerró los ojos para ver mejor” (closed his eyes to see better) encapsulate this introspective journey—using blindness as a means to gain clearer insight into one’s emotions and past. This paradoxical symbolism deepens the emotional resonance, as it suggests escaping reality to truly perceive what was once vividly felt.

Campaneando in Historic Context

Written and composed on the cusp of a new decade, December 31, 1929, “Campaneando” reflects the socio-cultural milieu of Buenos Aires, Argentina, at a time when tango epitomized the city’s vibrancy and its people’s complex emotions. This period witnessed significant social and economic changes that impacted the artistic expressions of the time. Tango, as a form, heavily mirrored the urban experience of Buenos Aires residents, incorporating themes of longing and loss amid the bustling life of the city. The specified “calle” (street) is emblematic of Buenos Aires’ arteries, pulsing with historical and personal significance.

(Author’s Name)

(Author’s Name) was a notable figure in the world of tango, contributing deeply personal and culturally resonant lyrics that have stood the test of time, particularly during the vibrant tango movements of early 20th-century Buenos Aires.