Calla by Manuel Barros

Calla is a Tango written by Manuel Barros and composed by Roberto Rufino.

Story behind the Tango Calla

“Calla,” which translates to “Be quiet” or “Hush” in English, captures a profound conversation likely addressing a woman harshly judged by society. Barros urges her to silence her tears, implying that the pain and judgment she endures are regrettable parts of life, yet common and unavoidable. The repeated invocations to silence—“Calla!”—serve as a stark plea for her to endure quietly, suggesting that her visible sorrow only further subjects her to judgment.

Symbolism of Calla

The symbolism in “Calla” is poignant, primarily focusing on societal judgment and personal anguish. The lyricist makes significant use of religious and existential language, hinting at redemption and the divine judgment contrasted with human fallibility. Phrases like “Si fuera Dios te salvaría” (If I were God, I would save you) show the impotence felt in the face of societal norms that relentlessly judge and alienate individuals for their past and perceived sins. The recurrent “Calla!” not only tells her to remain silent but also underscores the suppression and loneliness that come from societal judgment.

Calla in historic Context

Recorded in mid-October 1965, “Calla” mirrors a period in Argentina marked by significant political and social upheaval, anticipating the authoritarian rule that would later define the country’s history. This context influences the tone of the tango, embedding within its lyrics a sense of resignation and hidden turmoil. The societal judgments and the plea for redemption could also mirror the cries of a nation dealing with its own moral and societal conflicts.

Manuel Barros

Manuel Barros was a tango lyricist noted for his emotional depth and keen social observations which are reflected in his works like “Calla”.