Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Buenos Aires is a Tango written by Manuel Romero and composed by Manuel Jovés.
The lyrics of “Buenos Aires” express a deep, emotional connection to the city, depicting it as both a source of joy and sorrow. The song narrates an individual’s complex relationship with Buenos Aires, reflecting themes of nostalgia, love, and urban hardship. Through the voice of a persona, Romero paints a vibrant yet poignant picture of life in this dynamic city.
Buenos Aires is personified as “la Reina del Plata” (the Queen of the Silver River), highlighting its grandeur and central role in the life of its inhabitants. The city embodies both a lover and a mother, a place where happiness and pain coexist. Symbolic elements like “Noches porteñas” (nights in Buenos Aires) encapsulate the city’s dual nature—moments of joy mingled with tears, reflecting the fleeting and often shallow nature of nightlife. The milonga, a traditional Argentinean dance event, stands as a metaphor for the city’s rhythm, with the poignant cries of a child and the sorrow in the tango hinting at the underlying social struggles.
The song was created in 1965, a period of political and social instability in Argentina. This historical backdrop may influence the mood of the tale, with the tango serving as a reflective lament for both personal and collective disillusionment. Romero articulates a blend of affection and critique towards Buenos Aires, acknowledging its allure and its inherent flaws, likely shaped by the socio-economic challenges of the time.
Manuel Romero was a notable Argentine librettist and lyricist, known for his poignant contributions to the tango genre.