Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Buen amigo is a Tango written by Juan Carlos Marambio Catan and composed by Julio De Caro.
“Buen amigo” explores the profound bond and loyalty found in genuine friendship. The lyrics portray the ups and downs of life, symbolizing the integral support a good friend provides regardless of circumstances. They emphasize the emotional comfort and physical aid a steadfast friend offers during both triumphs and defeats, using vivid imagery to highlight these highs and lows.
The recurring mention of the friend’s hand (“la mano del buen amigo”) symbolizes support and strength. This hand metaphorically lifts the narrator from despair, guides him through hardships, and heals his wounds with its touch. The symbolism extends to spiritual rejuvenation, where the friend’s presence is like a star lighting up a dark trail, suggesting a beacon of hope and guidance in tough times. The vibrancy of the “violín dormilón” (sleepy violin) compares friendship to a gentle, soothing melody that comforts and lulls the soul in its restless moments.
Released in 1958, “Buen amigo” emerged during a period when Argentina was experiencing significant political and social changes. This piece could be seen as reflecting a societal yearning for trust and solidarity amidst the turbulence – a call for dependable, sincere relationships when facing life’s uncertainties. Its message of friendship and resilience likely resonated deeply with an audience navigating the complexities of that era.
Juan Carlos Marambio Catan was a noted Argentine lyricist known for his evocative texts that often explored themes of life, love, and friendship entwined with deep emotional undercurrents.