Bonita (2) is a Vals written by Ciriaco Ortiz and recorded by Horacio Salgán Y Dante Amicarelli in 1970. Horacio Salgán Y Dante Amicarelli has recorded Bonita (2) as an instrumental Vals.
“Bonita (2)” translates to “Pretty (2)” in English. This piece, like a tender dance of shadows and light, captures the essence of fleeting beauty and the grace that lingers even in the simplest of moments. It speaks to the heart with a melody that whispers of elegance and a charm that enchants the soul, leaving an indelible impression.
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Bonita (2) recorded by Horacio Salgán Y Dante Amicarelli
Bonita (2) is an instrumental Tango composed by Ciriaco Ortiz.
Interpretation of Bonita (2)
Translated to English, “Bonita” means “Beautiful,” and the piece captures the essence of elegance and charm embodied in its name. The music weaves a tapestry of emotions, starting with a gentle introduction that evokes a sense of longing and beauty. As the orchestra, led by Horacio Salgán and Dante Amicarelli, delves deeper into the composition, a more vibrant and passionate melody emerges, reminiscent of an intimate dance between two souls. The intricate interplay of instruments creates a rich, textured soundscape, imbuing the listener with a sense of nostalgia and longing. As the piece evolves, the tango rhythms grow more intense, reflecting the complexities and beauty of human emotions. The finale leaves a lingering sense of warmth and fulfillment, much like the memory of a beautiful dance.
Horacio Salgán Y Dante Amicarelli and Bonita (2)
Horacio Salgán Y Dante Amicarelli, renowned for their exceptional artistry and profound understanding of tango music, bring “Bonita (2)” to life with their performance. Their interpretation showcases the intricate rhythmic patterns and emotive depth characteristic of Ciriaco Ortiz’s compositions. The orchestra’s masterful arrangement and execution highlight the nuances and emotional layers of the piece, making it a compelling auditory experience. This rendition of “Bonita (2)” by Salgán and Amicarelli serves not only as a tribute to the original composer but also as a testament to their skill and passion for the tango genre.