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Boedo

Boedo is a Tango written by Julio De Caro and recorded by Julio De Caro in 1939. The Tango Boedo is written by Julio De Caro , Julio De Caro has recorded Boedo with the singer Héctor Farrel.
“Boedo” translates to “Mud” in English, and it carries the essence of grounding and earthiness. Like the district in Buenos Aires from which it draws its name, “Boedo” paints a tapestry of vibrant streets infused with stories of the past. The melody, whether instrumental or sung, echoes with the raw emotion and passion deeply rooted in the rich cultural tapestry of tango.

Tango

Style

Julio De Caro

Orchestra

Héctor Farrel

Singer

Dante A. Linyera

Author

Julio De Caro

Composer

1939/7/7

Date

Héctor Farrel
Héctor Farrel
Julio De Caro
Julio De Caro

Discover Other Orchestras

Horacio Salgán – Alma
corazón y vida – 1955/1/1
Horacio Salgán – Margarita Gauthier – 1953/1/1
Horacio Salgán – Mal de amores – 1965/1/1
Horacio Salgán – Tierra querida – 1951/5/30
Horacio Salgán – Tango del balanceo – 1963/1/1
Armando Pontier – El torito – 1957/9/30
Armando Pontier – La viruta – 1955/8/10
Armando Pontier – Repuntando – 1956/4/13
Armando Pontier – El vals soñador – 1960/6/14
Armando Pontier – Toda mi vida – 1960/7/1
Enrique Rodríguez – Oh París – 1948/6/21
Enrique Rodríguez – Norma – 1944/7/27
Enrique Rodríguez – Parecito faraon – 1942/6/10
Enrique Rodríguez – Camino al don – 1971/4/7
Enrique Rodríguez – Dónde estará mi vida – 1958/6/24
Ricardo Tanturi – Puerto Nuevo – 1959/1/29
Ricardo Tanturi – Que no saque el tres – 1959/12/9
Ricardo Tanturi – Qué bien te queda (Cómo has cambiado) – 1943/10/5
Ricardo Tanturi – A otra cosa che pebeta – 1943/3/2
Ricardo Tanturi – Qué será de ti – 1945/2/19

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Boedo recorded by other Orchestras

Boedo recorded by other Orchestras

1939/7/7 – El espiante – Julio De Caro
1939/7/12 – Inquietud – Osvaldo Fresedo
1939/7/12 – Mas alla – Osvaldo Fresedo
1939/7/13 – Dichas que vivi – Rodolfo Biagi
1939/7/13 – Pura clase – Rodolfo Biagi
Boedo – 1948/7/14 – Osvaldo Pugliese – Instrumental
Boedo – 1957/1/1 – Astor Piazzolla – Instrumental
Boedo – 1947/9/24 – Francini-Pontier – Instrumental
Boedo – 1963/1/1 – Horacio Salgan – Instrumental
Boedo – 1952/6/23 – Horacio Salgan – Instrumental
Boedo – 1928/11/16 – Julio De Caro – Instrumental
Boedo – 1939/7/7 – Julio De Caro – Hector Farrel
Boedo – 1950/10/9 – Julio De Caro – Instrumental
Boedo – 1952/9/17 – Julio De Caro – Instrumental

Lyrics Translation of the Tango Boedo

This is the translation of the Tango “Boedo” from Spanish to English. The English lyrics of the Tango “Boedo” have been done with AI.

Letra del Tango Boedo

Sos barrio del gotán y la pebeta,
el corazón del arrabal porteño,
cuna del malandrín y del poeta,
rincón cordial,
la capital
del arrabal.

Yo me hice allí de corazón malevo
porque enterré mi juventud inquieta
junto al umbral en el que la pebeta
ya no me espera
pa’ chamuyar.

Boedo, vos sos como yo:
malevo como es el gotán,
abierto como un corazón
que ya se cansó de penar.
Lo mismo que vos soy así:
por fuera cordial y cantor,
a todos les bato que sí
y a mi corazón le bato que no.

Sos como yo de milongón… Un cacho
del arrabal, en su emoción del lengue,
ande el gotán, provocador y macho
hoy es el Dios
Nuestro Señor
del Berretín.

¿Qué quiere hacer esa fifí Florida?
¡Si vos ponés tu corazón canyengue,
como una flor en el ojal prendida,
en los balcones
de cada bulín!

English lyrics of the Tango "Boedo"

You’re the neighborhood of tango and the young girl,
the heart of the Buenos Aires slums,
birthplace of thugs and poets,
friendly corner,
the capital
of the slums.

There, I turned into a real tough guy
because I buried my restless youth
by the doorstep where the girl
no longer waits
to chat.

Boedo, you are just like me:
tough as tango,
open like a heart
tired of suffering.
Just like you, that’s how I am:
outwardly friendly and a singer,
I tell everyone yes
but to my heart, I say no.

You’re like me in the dance halls… A piece
of the slum, in the emotion of the speak,
where the tango, provocative and macho
today is the God
Our Lord
of Obsession.

What does that fancy lady from Florida want?
If you put your spirited heart on,
like a flower pinned in the lapel,
on the balconies
of each apartment!

Boedo by Dante A. Linyera

Boedo is a Tango written by Dante A. Linyera and composed by Julio De Caro.



Story behind the Tango Boedo

“Boedo” encapsulates the vibrant essence and complex personality of the Boedo neighborhood, a notable part of Buenos Aires. Through the lyrics, Linyera personifies Boedo as a character deeply rooted in the tango culture, similar to himself—both harboring a tough exterior but a deeply affectionate core. The narrative revolves around Boedo being his childhood cradle and the silent witness to his youthful endeavors, highlighting an intimate bond shaped by nostalgia and local culture.



Symbolism of Boedo

Boedo symbolizes a sanctuary for the contrasting characters of a poet and a miscreant, reflecting the eclectic mix that forms the cultural tapestry of this neighborhood. Linyera uses terms like “barrio del gotán y la pebeta” (neighborhood of the tango’s beat and the young woman) and “malevo” (roughneck), which personify Boedo with traits of toughness intertwined with a poetic soul. Furthermore, the recurring motif of “canyengue” (a rhythmic and passionate tango style) symbolizes an inherent, melodious struggle reflecting the daily life and passion of its residents.



Boedo in historic Context

Written and composed in 1939, “Boedo” reflects the socio-cultural atmosphere of Buenos Aires during a time when tango was a profound expression of the city’s identity. This era was marked by a deepening connection to local neighborhoods, each with distinct identities. Boedo, known for its bohemian and intellectual gatherings, stood as a cultural hub where tango expressed both resistance and celebration. The lyrics not only immortalize the geographical elements but also highlight a period of nostalgia, melancholy, and resilience within the Argentine society.



Dante A. Linyera

Dante A. Linyera was a prolific Argentine lyricist and poet, known for his deep connection to the traditional tango scene.