Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Bien de abajo is a Tango written by Héctor Negro and composed by Arturo Penón.
“Bien de abajo” proceeds as a poignant narrative portrayed by an individual who hails from a humble background, has faced significant struggles, yet resolute, never succumbed to defeat. The speaker describes a life shaped by hardship and resilience, emphasizing personal strength and the refusal to compromise integrity. It’s a self-affirmation of dignity and grit against life’s adversities.
The tango encapsulates deep symbolism about life’s fight and personal integrity. The phrases such as “cuerpeando la mala y al fin le gané” (dodged the bad and finally won) symbolizes the ongoing battles he faced and overcame. “Nadie me vende un buzón” metaphorically suggests that he is not one to be easily deceived, emphasizing his alertness and experience. The tango uses the intense hardships of street life to mirror the speaker’s internal battles, making a broader statement about survival and identity.
Serialized in 1967, the piece resonates with a period of considerable societal turbulence in Argentina. This era was marked by political unrest and social struggles, particularly among the working classes. “Bien de abajo” becomes particularly significant under this lens; it champions the resilience and defiant spirit of the marginalized. The metaphorical language and defiant tone likely speak to a generation grappling with inequality and advocating for justice and recognition.
Héctor Negro was a revered Argentine lyricist known for his poignant and socially resonant tango lyrics.