Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
El pensamiento is a Tango written by Francisco García Jiménez and composed by José Martínez.
El pensamiento,” which translates to “The Thought,” is a poignant reflection on past love and the emotional remnants left behind. The lyrics narrate a moment of re-reading old letters, where the narrator encounters the remains of a flower – initially a symbol of blooming affection, now a symbol of lost love. This tango delves into the intimate and personal realms of memory and loss, driven by nostalgia and the yearning for what once was.
The narrative uses potent symbols to enhance the emotional depth of the lyrics. The “cadáver de una flor” (corpse of a flower) symbolizes beauty and love that have died. The juxtaposition of the flower’s vibrant past against its current state reflects the temporary nature of emotions and relationships. Furthermore, the repeat of “pensamiento,” meaning both ‘thought’ and ‘pansy,’ the flower, plays a dual role, emphasizing both the physical reminder of the lost love and the lingering thoughts that continue to haunt the narrator.
Created in 1969, “El pensamiento” emerges in a politically and socially tumultuous Argentina, which might subtly be reflected in the lyrics’ themes of loss and nostalgia. During this period, many Argentinians were feeling a sense of loss – whether personally, politically, or culturally. This tango could be seen as a metaphor for broader societal experiences, channeling personal emotional narratives to echo the collective sentiment of longing for a past perceived as better or simpler.
Francisco García Jiménez was an influential Argentine lyricist known for his contributions to the tango genre, imbuing his compositions with deep emotional and cultural nuances.