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Berretines

Berretines is a Tango written by Edgardo Donato and recorded by Edgardo Donato in 1934. The Tango Berretines is written by Edgardo Donato, Edgardo Donato has recorded Berretines with the singer Antonio Maida.
“Berretines,” translated into English as “Whims,” captures the essence of fleeting desires and capricious whims that dance through the soul. This tango melody weaves a tale of impetuous dreams and elusive yearnings, evoking the restless heart’s quest for meaning. In its notes lie the gentle persuasion of nostalgia and the intensity of passions unfulfilled, inviting listeners to ponder their own whimsical pursuits.

Tango

Style

Edgardo Donato

Orchestra

Antonio Maida

Singer

Máximo Orsi

Author

Edgardo Donato

Composer

1934/6/28

Date

Antonio Maida
Antonio Maida
Edgardo Donato
Edgardo Donato

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Lyrics Translation of the Tango Berretines

This is the translation of the Tango “Berretines” from Spanish to English. The English lyrics of the Tango “Berretines” have been done with AI.

Letra del Tango Berretines

Che, Berretín
Pará “las de escuchar”,
Que mi canción
Te quiero dedicar.
Yo sé muy bien
Que hablás en salpicón,
Y sos igual
Que un disco en grabación.

Pero hay que ver
La cara que ponés,
De rechiflao
Para hacerme asustar,
Pero yo a vos
Te voy a hacer sonar.

Berretín…
Hay que ver cuánto charlás.
Berretín…
Los embrollos que me armás.
Y decís
Que una radio te llamó,
Para ser
El “speaker” oficial.

English lyrics of the Tango "Berretines"

Hey, Berretín,
Stop “the listenings,”
For it’s my song
I wish to dedicate to you.
I know well
You speak all mixed up,
And you’re just like
A record that’s recording.

But we must see
The face you make,
All crazy
To try and scare me,
But I, to you,
Will make resonate.

Berretín…
Let’s see how much you talk.
Berretín…
The messes you concoct.
And you say
A radio has called you,
To be
The official “speaker.”

Berretines by Máximo Orsi

Berretines is a Tango written by Máximo Orsi and composed by Edgardo Donato.



Story behind the Tango Berretines

“Berretines” is a tango that delivers a snapshot of conversational and casual interactions, depicted vividly through its lyrics. The protagonist addresses someone affectionately known as “Che, Berretín,” using the term “berretín” which is a colloquial Argentine word for an obsession or a crazy idea. This term often embodies a playful or mocking tone, suggesting that the person being addressed is somewhat delusional or overly enthusiastic about something trivial. The song progresses as a light-hearted admonishment, teasing “Berretín” for his nonsensical talk and fantastical claims, such as being called upon by a radio station to be the official “speaker.”



Symbolism of Berretines

The lyrics of “Berretines” cleverly utilize everyday language and expressions to paint a picture of a character with big, albeit unrealistic, aspirations. The mention of “que hablás en salpicón” (talking in bits and pieces) and comparing him to a “disco en grabación” (record in recording) symbolizes a person who perhaps talks a lot but without much substance. Furthermore, the recurring refrain “Berretín… hay que ver cuánto charlás” highlights the theme of empty chatter versus genuine communication, a reflection on how people can lose themselves in their fantasies, distancing themselves from reality.



Berretines in Historic Context

“Berretines” was written and composed in 1934, a period in Argentine history marked by political and social upheaval. It was the era following the infamous Década Infame, a time plagued with fraud and corruption. This backdrop might have influenced Orsi to pen lyrics reflecting on the distraction or escapism that these ‘berretines’ or obsessions provide to ordinary people amidst the chaos. The humorous take on a man’s grand delusions can be seen as a satirical commentary on the state of affairs where grandiose ideas often mask the harsh realities of everyday life.



Máximo Orsi

Máximo Orsi was an Argentine lyricist known for his contributions to the genre of Tango, capturing the essence of Argentine culture and sentiments in his works.