Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Berretines is a Tango written by Máximo Orsi and composed by Edgardo Donato.
“Berretines” is a tango that delivers a snapshot of conversational and casual interactions, depicted vividly through its lyrics. The protagonist addresses someone affectionately known as “Che, Berretín,” using the term “berretín” which is a colloquial Argentine word for an obsession or a crazy idea. This term often embodies a playful or mocking tone, suggesting that the person being addressed is somewhat delusional or overly enthusiastic about something trivial. The song progresses as a light-hearted admonishment, teasing “Berretín” for his nonsensical talk and fantastical claims, such as being called upon by a radio station to be the official “speaker.”
The lyrics of “Berretines” cleverly utilize everyday language and expressions to paint a picture of a character with big, albeit unrealistic, aspirations. The mention of “que hablás en salpicón” (talking in bits and pieces) and comparing him to a “disco en grabación” (record in recording) symbolizes a person who perhaps talks a lot but without much substance. Furthermore, the recurring refrain “Berretín… hay que ver cuánto charlás” highlights the theme of empty chatter versus genuine communication, a reflection on how people can lose themselves in their fantasies, distancing themselves from reality.
“Berretines” was written and composed in 1934, a period in Argentine history marked by political and social upheaval. It was the era following the infamous Década Infame, a time plagued with fraud and corruption. This backdrop might have influenced Orsi to pen lyrics reflecting on the distraction or escapism that these ‘berretines’ or obsessions provide to ordinary people amidst the chaos. The humorous take on a man’s grand delusions can be seen as a satirical commentary on the state of affairs where grandiose ideas often mask the harsh realities of everyday life.
Máximo Orsi was an Argentine lyricist known for his contributions to the genre of Tango, capturing the essence of Argentine culture and sentiments in his works.