Benguria is a Tango written by Roberto Firpo and recorded by Juan D’Arienzo in 1966. Juan D’Arienzo has recorded Benguria as an instrumental Tango.
“Benguria” translates to “Blessing” in English. This piece of music, whether whispered through tango rhythms or carried by instrumental melodies, embodies the enchantment of life’s gentle graces. It reflects the timeless dance of fortune and gratitude, where every note serves as a gentle reminder of the unexpected gifts that color our journey.
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Benguria is an instrumental Tango composed by Roberto Firpo.
Interpretation of Benguria
The name “Benguria” doesn’t have a direct translation to English, but in the context of a piece of instrumental music performed by a tango orchestra, it evokes images of vibrant dance halls, rhythmic movement, and intense emotional exchanges. As an instrumental piece, “Benguria” can be interpreted as the expression of life’s passionate moments—those fleeting yet powerful encounters that are best expressed through the universal language of music and dance. It captures the essence of Argentine tango with a compelling arrangement that weaves together intricate melodies and bold rhythms, inviting listeners into a world of elegance and drama.
Juan D’Arienzo and Benguria
Juan D’Arienzo, known as “El Rey del Compás” (The King of Rhythm), brought a unique energetic vibrancy to tango music, perfectly suited for the piece “Benguria.” The orchestra led by D’Arienzo was renowned for its ability to reignite traditional tango with a modern dynamism, embellishing it with brisk tempos and spirited performances. In “Benguria,” D’Arienzo’s orchestra would elevate Firpo’s composition through precise arrangements and a powerful delivery, transforming the music into a captivating auditory spectacle that stirred emotions and compelled dancers to the floor. Through “Benguria,” listeners experience the fervor and charm of tango, as envisioned by the combined genius of Firpo’s composition and D’Arienzo’s orchestral mastery.