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Bandita de mi pueblo

Bandita de mi pueblo is a Tango written by Enrique Delfino and recorded by Aníbal Troilo in 1946. The Tango Bandita de mi pueblo is written by Enrique Delfino, Aníbal Troilo has recorded Bandita de mi pueblo with the singer Floreal Ruiz.
“Bandita de mi pueblo,” or “Little Band of My Town,” echoes a melody of nostalgia. The notes dance through cobblestone streets, capturing the heartbeats of neighbors and the whispers of old tales. This piece paints a vivid portrait of community spirit, where every note tells a story of unity and cherished memories.

Tango

Style

Aníbal Troilo

Orchestra

Floreal Ruiz

Singer

Catulo Castillo

Author

Enrique Delfino

Composer

1946/3/22

Date

Floreal Ruiz
Floreal Ruiz
Aníbal Troilo
Aníbal Troilo

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Lyrics Translation of the Tango Bandita de mi pueblo

This is the translation of the Tango “Bandita de mi pueblo” from Spanish to English. The English lyrics of the Tango “Bandita de mi pueblo” have been done with AI.

Letra del Tango Bandita de mi pueblo

Anochecer de vida provinciana
con la plaza feliz, frente al Hotel.
La Bandita del pueblo, una campana
y la gente paseándose en rondel…

Don Batistín, golpeaba un sonsonete
y el hijo de González el tambor…
Había un bombo un trombón y un clarinete
siguiendo al saxofón del director…

Su son, era un rumor
labrado en hojalata
con trajes escarlata,
con sueños de amor…

¡Tachín!… ¡Tachín!… ¡Tachín!…
Sonaba pizpireta
la antigua canzoneta
sin final…

Y en la tertulia azul,
Juan y Marieta
¡golpeaban su chim-pún!…
¡Sentimental!

Mas la ilusión llamando al estudiante
le dio el rumbo fatal de la ciudad.
Y la vieja campana agonizante,
sentenciaba en su voz: ¡no volverá!…

Un trajinar de amores sin empeños.
Esquina en que una noche la olvidó.
Y en el reproche fatal que dan los sueños,
mil veces la bandita lo llamó…

Su son era un rumor
dolido de hojalatas
con penas escarlatas,
¡sin sueños de amor!…

¡Tachín!… ¡Tachín!… ¡Tachín!…
Ya se apagó Marieta
con una morisqueta
de final,
en la tristeza gris
de la retreta
la Banda era un chim-pún
¡sentimental!…

English lyrics of the Tango "Bandita de mi pueblo"

Twilight of provincial life
with the square happy, in front of the Hotel.
The town’s little band, a bell rings
and people wandering in circles…

Old Batistín, tapped a rhythm
and Gonzalez’s son on the drum…
There was a drum, a trombone, and a clarinet
following the director’s saxophone…

Its sound, was a murmur
crafted in tin
with scarlet costumes,
with dreams of love…

Boom! Boom! Boom!
The carefree old song
resounded without end…

And in the blue gathering,
John and Marieta
beat their chim-pún!
So sentimental!

But the dream, calling to the student
gave him the fateful path to the city.
And the old bell, dying,
decreed in its voice: won’t return!…

A flurry of loves without commitments.
Corner where one night he forgot her.
And in the fatal reproach that dreams bring,
a thousand times the band called him…

Its sound was a murmur
of pained tin
with scarlet sorrows,
without dreams of love!…

Boom! Boom! Boom!
Now Marieta faded
with a grimace
of ending,
in the gray sadness
of the evening retreat
the Band was a chim-pún
so sentimental!

Bandita de mi pueblo by

Bandita de mi pueblo is a Tango written by and composed by Enrique Delfino.

Story behind the Tango Bandita de mi pueblo

The tango “Bandita de mi pueblo” evokes a portrayal of a provincial town’s charm through the memories of an evening filled with music and communal gatherings. It paints an image of a once vibrant town square, with the local band providing a soundtrack to the townspeople’s lives. The narrative centers on nostalgia, reflecting on the passage of time and the inevitable changes it brings. The bond between the local youth, such as Juan and Marieta, and their whimsical, spontaneous adventures are depicted fondly, symbolizing innocence and youth. As the protagonist recalls these cherished moments, a melancholy tone emerges as he realizes their ephemeral nature, compounded by the eventual departure to the city and the impossibility of returning to those simpler times.

Symbolism of Bandita de mi pueblo

The tango is rich in symbolism, using the imagery of a small-town band to embody the collective spirit and cultural vitality of the community. The “Bandita” with its “sonsonete” and “canzoneta” conjures up a vivid soundscape that is both vibrant and emotionally resonant, reflecting the strength of tradition and shared experience. Key phrases like “la ilusión llamando al estudiante,” highlight the transient nature of youth, dreams, and the lure of opportunities away from home. The old bell and its voice urging “¡no volverá!” serves as a powerful symbol of lost innocence and the inevitability of change.

Bandita de mi pueblo in historic Context

Created in 1946 in Buenos Aires, Argentina, “Bandita de mi pueblo” reflects the post-World War II era, a time when Argentina was experiencing significant social and economic changes. The move from rural to urban settings was prevalent, as many sought better opportunities in the booming metropolises. This yearning for belonging and the tension between past and present reflects the broader cultural dislocation and nostalgia for simpler, more connected community life. The tango captures the wistfulness of those who leave behind their origins for the promise of the city, often realizing too late the unbridgeable nature of those lost connections.

is a renowned figure in tango music, celebrated for his ability to capture the emotional depth and rich cultural narratives of Argentina through his compositions. His collaborations with composer Enrique Delfino, like “Bandita de mi pueblo,” are considered classics of the genre.