Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Bailate un tango Ricardo is a Tango written by Ulises Petit de Murat and composed by Juan D’Arienzo.
The lyrics of “Bailate un tango Ricardo” evoke a poignant conversation with Ricardo, a figure who is invited to dance a tango as a means of connecting with life and, symbolically, with the afterlife. The phrases speak of life reaching towards death, a space where tango serves as a bridge between the living and the memories of those passed. This tango is not just a dance, but a rite of passage, an act of keeping memory and spirit alive through the cultural practice of dancing.
Significant symbolism in this tango emerges through the dance itself and the dialogue with Ricardo. Tango, a dance of deep emotions and nostalgia, symbolizes a connection that transcends the physical world. “Le saco orilla a mi vida para arrimarla a tu muerte” (I edge my life to bring it closer to your death) suggests using the dance to narrow the gap between life and death, indicating a profound reflection on mortality and remembrance. The references to Ricardo dancing beyond life encapsulate the spirit’s eternal engagement with passions that once defined existence.
Released in 1966 in Argentina, a place known for its rich tango culture, “Bailate un tango Ricardo” resonates with the era’s reflection on national identity, arts, and personal expressions of grief and memory. During this time, Argentina was experiencing significant social and political changes, and tango often served as a reflective, sometimes melancholic commentary on society. The mention of Buenos Aires, tango, and the Pampa ties the dance to its geographical roots and cultural significance.
Ulises Petit de Murat was an influential Argentine author and screenwriter known for his deep explorations of Argentine culture and identity.