Fabrice Knecht Tango DJ

Bahia Blanca

Bahia Blanca is a Tango written by Carlos di Sarli and recorded by Carlos di Sarli in 1957. Carlos di Sarli has recorded Bahia Blanca as an instrumental Tango.
“Bahía Blanca,” or “White Bay” in English, evokes visions of serene shores kissed by moonlight. This tranquil harbor, where the waves gently embrace the sand, whispers stories of longing and nostalgia. In its melody, one can hear the soft murmur of dreams meeting reality, a dance of shadows on the silvery canvas of night.

Tango

Style

Carlos di Sarli

Orchestra

Instrumental

Singer

Author

Carlos di Sarli

Composer

1957/11/21

Date

Instrumental
Instrumental
Carlos di Sarli
Carlos di Sarli

Discover Other Orchestras

Osvaldo Pugliese – Mala junta – 1952/11/29
Osvaldo Pugliese – Bien de abajo – 1967/6/1
Osvaldo Pugliese – Mirando la lluvia – 1946/12/20
Osvaldo Pugliese – Aquel encuentro – 1986/6/18
Osvaldo Pugliese – Flor de tango – 1945/8/28
Rodolfo Biagi – Por eso grito – 1946/8/16
Rodolfo Biagi – Esta noche me emborracho – 1946/12/30
Rodolfo Biagi – Mi alondra – 1959/3/6
Rodolfo Biagi – Magdala – 1945/1/24
Rodolfo Biagi – Cuando se ha querido mucho – 1945/6/15
Alfredo De Angelis – Virgen de la serranía – 1964/5/1
Alfredo De Angelis – Cero al as – 1944/4/28
Alfredo De Angelis – Seleccion de valses – 1953/8/26
Alfredo De Angelis – Pinche – 1947/8/20
Alfredo De Angelis – Alas azules – 1980/1/1
Enrique Rodríguez – Hay que entrar (2) – 1951/9/10
Enrique Rodríguez – Anselmo Laguna – 1945/8/22
Enrique Rodríguez – Sonia – 1959/11/26
Enrique Rodríguez – Chiquillada – 1970/3/20
Enrique Rodríguez – Era una tarde de toros – 1946/12/2

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Bahia Blanca recorded by other Orchestras

Bahia Blanca recorded by other Orchestras

1957/11/21 – Serenata mia – Carlos di Sarli
1957/12/16 – Te quiero – Alfredo De Angelis
1957/10/25 – No me hablen de ella – Osvaldo Pugliese
1957/10/25 – Yunta de oro – Osvaldo Pugliese
1957/12/18 – Pa- la muchachada – Osvaldo Pugliese
Bahia Blanca – 1957/11/21 – Carlos di Sarli – Instrumental
Bahia Blanca – (unknown date) – Carlos di Sarli – Instrumental
Bahia Blanca – 1961/7/5 – Osvaldo Fresedo – Instrumental
Bahia Blanca – 1959/9/10 – Florindo Sassone – Instrumental

Bahia Blanca recorded by Carlos di Sarli

Bahia Blanca is an instrumental Tango composed by Carlos di Sarli.

Interpretation of Bahia Blanca

“Bahia Blanca,” translated to English as “White Bay,” evokes the serene yet majestic imagery of the coastal city it is named after. The composition by Carlos di Sarli can be imagined as a musical portrait of the city of Bahía Blanca in Argentina, capturing its essence through rich melodies and intricate harmonies. The instrumental tango begins with a gentle yet captivating introduction, reminiscent of waves lapping against the shore at dawn. As the piece progresses, the rhythm intensifies, mirrored by the passionate interplay of strings and piano, as though the city awakens and comes to life. Toward the end, the music sways gently again, evoking the calm and beauty of the city at rest. Through its dynamic range and emotive execution, “Bahia Blanca” paints a vivid soundscape that combines nostalgia and grace, presented elegantly by the Tango Orchestra Carlos di Sarli.

Carlos di Sarli and Bahia Blanca

Carlos di Sarli, a prominent figure in the world of tango, recorded “Bahia Blanca” on November 21, 1957. Known for his sophisticated style and the graceful melodies produced by his orchestra, di Sarli breathed life into “Bahia Blanca” through his intricate arrangements and emotive Piano playing. His interpretation of this piece stands as a testament to his unique contribution to tango music, marked by a refined sound that balances elegance with profound emotional depth. “Bahia Blanca,” through Carlos di Sarli’s lens, is not just a composition; it becomes an experience that transports listeners to a place imbued with warmth and sentiment, characteristic of the essence of tango itself.