Fabrice Knecht Tango DJ
Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Ayudame is a Tango written by Alejandro Romay and composed by Leo Lipesker.
“Ayudame,” which translates to “Help me” in English, is a poignant expression of despair and a plea for guidance. The lyrics paint a somber scene, initiated by the sounds of “Ave María,” suggesting a moment of spiritual or religious significance. The central character hears a voice urging trust in a better future, yet he confesses his wounds, lack of faith, and ambition, depicting himself as a mere fragment of life devoid of friends, light, and love. This sets a scene of deep emotional turmoil and existential crisis, where a person is reaching out for divine intervention in their darkest hour.
The recurrent reference to the “Ave María” and the divine voice symbolizes a moment of spiritual awakening or divine encounter, suggesting that amid profound despair, there is still a channel for hope and redemption. The plea, “¡Ayudame, Dios mío!” directly translating to “Help me, my God!” is a powerful cry illustrating both vulnerability and reliance on a higher power. The imagery of being “wounded” and a “patch of life” metaphors the fragments of a shattered existence, seeking salvation and coherence.
The contrast between the protagonist’s initial goodness, likened to “bread,” and his subsequent portrayal as a victim of a “cruel, brutal” society underscores a transformation from innocence to suffering, induced by external malice. This stark juxtaposition amplifies the tragic nature of the narrative, emphasizing themes of betrayal and loss of innocence.
Recorded in 1960, “Ayudame” emerges during a period in Argentina marked by significant political and social unrest. The cry for help and the quest for a better tomorrow can be perceived as mirroring the collective sentiments of a nation grappling with instability and searching for direction. The historical backdrop possibly intensifies the song’s emotive impact, resonating deeply with an audience living through times of uncertainty and longing for change.
Alejandro Romay was a notable Argentine broadcasting and television mogul, often referred to as “the czar of television.” His impact extended beyond media into various forms of Argentine artistic expression, including tango.