Atenti pebeta by Celedonio Flores

Atenti pebeta is a Tango written by Celedonio Flores and composed by Ciriaco Ortiz.

Story behind the Tango Atenti pebeta

‘Atenti pebeta’, translating to ‘Watch out, young lady’, captures a narrative of caution and conservatism, reflective of 1920s Buenos Aires societal norms. Celedonio Flores, through his lyrics, speaks directly to a young woman, advising her on how to conduct herself publicly to preserve her reputation. He warns her against showing too much interest in men, especially those who appear wealthy and stylish, represented by mentions of ‘guantes patito’ (cheap gloves) and ‘polainas’ (spats), which were fashionable at the time.

Symbolism of Atenti pebeta

The song employs rich symbolism and vernacular language typical of the Argentine Lunfardo. Terms like ‘bacanazo’ symbolize wealthy men prone to flaunting their status, while instructions to ‘camina junando el suelo’ (walk looking at the ground) encapsulate a thematic emphasis on modesty. Flores uses clothing accessories as symbols of societal status and temptation, urging the young woman to avoid being swayed by superficial appearances. The phrase ‘comprate un corsé de fierro’ (buy a corset of iron) not only suggests physical restraint but also metaphorically implies guarding one’s virtues against the corruptions of urban life.

Atenti pebeta in historic Context

Recorded in 1929, ‘Atenti pebeta’ reflects Buenos Aires during a period of considerable transformation—where immigration, urbanization, and the shifting status of women influenced societal expectations and behaviors. This tango thus serves as a conservative reaction to the rapidly changing social landscape, where traditional values concerning women’s modesty and decorum were strongly emphasized and expected to be adhered to in public spaces.

Celedonio Flores

Celedonio Flores was an influential Argentine poet and tango lyricist, renowned for depicting urban life and the complexities of love and society in his works.