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Así se baila hoy

Así se baila hoy is a Tango written by Marcos Vera and recorded by Miguel Caló in 1972. The Tango Así se baila hoy is written by Marcos Vera, Miguel Caló has recorded Así se baila hoy with the singer Alberto Podestá.
“Así se baila hoy,” or “This is How We Dance Today,” captures the essence of modern rhythms weaving through tradition’s timeless embrace. It’s a dance where the past and present intertwine, each step a dialogue between where we’ve been and where we’re going. In this vibrant choreography, we find a celebration of change, unity, and the enduring spirit of music.

Tango

Style

Miguel Caló

Orchestra

Alberto Podestá

Singer

Ernesto Cardenal

Author

Marcos Vera

Composer

1972/1/1

Date

Alberto Podestá
Alberto Podestá
Miguel Caló
Miguel Caló

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Lyrics Translation of the Tango Así se baila hoy

This is the translation of the Tango “Así se baila hoy” from Spanish to English. The English lyrics of the Tango “Así se baila hoy” have been done with AI.

Letra del Tango Así se baila hoy

No es un vulgar chimento,

ni fantasía llorona y mistonga,

aquel del novecientos…

fue un tiempo de oro pa’ nuestra milonga.

El tango al centro llegaba

y su compás conquistaba,

con El Cachafaz triunfaba

y en los salones fue señor y rey…



Pero hoy sin grupo, también tallamos,

al tiempo viejo no lo enviadiamos.

Fijate un poco, ¡pero juná morocho!…

me sobra clase, ¡manyá un cachito, manyá qué ocho!

Mirá a mi piba, si tiene rango,

este es el tango del tiempo de hoy.

Lo bailo un kilo y en cuanto a ella

ni la Mireya, lo bailó mejor…

English lyrics of the Tango "Así se baila hoy"

It’s not just idle gossip,

nor a tear-filled, trifling fantasy,

that era of the 1900s…

was a golden time for our milonga.

Tango took center stage,

its rhythm conquering all,

with El Cachafaz it triumphed,

and in the dance halls, it was lord and king…

But today, without a gang, we still carve out our niche,

we don’t envy the old times.

Just take a look, but notice, dark-haired man!…

I’m overflowing with class, take a little look, see what’s what!

Look at my girl, she’s got style,

this is the tango of today.

I dance it tremendously, and as for her,

not even Mireya danced it better…

Así se baila hoy by Ernesto Cardenal

Así se baila hoy is a Tango written by Ernesto Cardenal and composed by Marcos Vera.



Story behind the Tango Así se baila hoy

The tango “Así se baila hoy,” captures the spirit of dance evolution in Argentina, contrasting the golden era of tango with contemporary styles. It reflects on the nostalgic allure of early 1900s tango, once dominated by the likes of El Cachafaz, and celebrates the vigor and uniqueness of the current styles. It expresses pride in the modern way of dance, indicating how it may differ in form and style but not in essence—class and skill prevail, transcending time.



Symbolism of Así se baila hoy

Throughout the lyrics, dance serves as a potent symbol representing cultural transformation and resilience. Phrases like “el tiempo de oro pa’ nuestra milonga” symbolize a longing for the quintessential golden age of tango, yet also a recognition that each era brings its own flair to tradition. In addition, the description of the dance partner as one who outperforms Mireya, a renowned dancer, symbolizes respect and recognition of the new generation’s capability to elevate traditional forms to contemporary excellence.



Así se baila hoy in historic Context

First released in 1972 in Argentina, “Así se baila hoy” comes from a period of significant cultural and political shifts. This was a time when Argentina was under various stresses that shaped its music and cultural expressions. The tango reflects a societal embrace of modern influences while deeply venerating its historical roots, seen as a fusion and evolution representative of its time. The lyrics not only highlight a temporal shift but also affirm the local cultural identity through dance amidst globalizing influences.



Ernesto Cardenal

Ernesto Cardenal was a Nicaraguan poet and priest known for his deep involvement in politics and advocacy for liberation theology.