Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Así era ella muchachos is a Tango written by José Cabodevilla and composed by Ángel Di Rosa.
The Tango “Así era ella muchachos” narrates the sorrow of a man reminiscing about a woman he loved and lost. The lyrics invite listeners to gather around as the narrator shares his deep sadness and recounts the beauty and character of the woman he adores. His expression of emotion through memories paints a vivid picture of her physical and metaphorical characteristics, culminating in the moment he sees her again after a long time, only to find her with another life built, symbolized by the child in her arms – a direct emblem of his loss and unattainable desires.
The song is rich with symbolic language, emphasizing the idealized beauty and nurturing qualities of the woman. Her “sky-blue eyes” suggest a depth and a purity, while her “rose-colored lips” and a voice that becomes a “loving song” elevate her to almost an ethereal, unattainable figure. Furthermore, the definitive moment—seeing her with a child signaling her new life and his consequent ‘failure’—symbolizes the irrevocable passage of time and the permanence of his loss, leaving a haunting impact on the narrator, depicted as the chilling of his heart. The contrast between the warmth of their past and the coldness he feels now effectively enhances the pathos of his unrequited love.
First released in 1967, “Así era ella muchachos” emerged during a vibrant period in Argentine history, both politically and culturally. Argentina was undergoing significant social changes, and the tango scene was no exception. This particular piece, blending traditional tango melodies with tales of personal and melancholic longing, reflects the broader narrative styles that were popular at the time. This period favored stories that connected to the emotional and sometimes tragic experiences of ordinary people, resonating deeply with audiences. The personal is interwoven with the cultural, mirroring the transformative period of 1960s Argentina where personal liberation and societal shifts were palpable.
José Cabodevilla, an Argentine lyricist, is known for his poignant and evocative contributions to the Tango genre.