Arrabal is a Tango written by José Pascual and recorded by Pedro Laurenz in 1937. Pedro Laurenz has recorded Arrabal as an instrumental Tango.
“Arrabal,” meaning “suburb” in English, evokes the bittersweet melodies of a place on the fringe. This piece captures the essence of dreams and longing in the quiet corners away from bustling city lights, where stories unfold in the shadows. It reflects the vibrant heart and unpolished beauty found in the overlooked embrace of the outskirts.
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Arrabal is an instrumental Tango composed by José Pascual.
Interpretation of Arrabal
“Arrabal,” meaning “suburb” or “outskirts” in English, evokes the bustling, vibrant life at the edges of a dynamic city. This instrumental tango starts with a haunting melody that captures the essence of nostalgia and longing. As the music unfolds, it brings to life the vivid imagery of narrow, winding streets and the spirited heartbeat of a community that thrives on passion and resilience.
The intricate arrangements by Pedro Laurenz’s orchestra highlight the contrasts of joy and melancholy—a signature of tango. The violins weave a tapestry of emotions, inviting the listener to immerse themselves in the stories of the arrabal: tales of love, dreams, and the inevitable struggles of life on the fringe.
Pedro Laurenz and Arrabal
Pedro Laurenz, a prominent figure in tango music, brings an impressive depth to “Arrabal” through his evocative bandoneon performances. His interpretation of the piece is a masterclass in expressing the soulful nuances of the tango. Under his direction, the orchestra delivers a compelling interpretation that is both stirring and intimate—an homage to the composer’s vision of life in the arrabal.