Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Aquí nomás is a Tango written by Catulo Castillo and composed by Héctor Stamponi.
The tango “Aquí nomás” reflects a sense of nostalgia and resistance to change. Catulo Castillo depicts a scene where the traditional elements of the city are disappearing, mentioning the loss of places like “la esquina del herrero” (the corner of the blacksmith). The imagery of a city that has outgrown its old charms suggests a longing for a simpler, more authentic past. The narrative voice invites their loved one to step away from the changing world into a moment of peace, to dance a tango just as they used to, away from the modern influences symbolized by jazz.
The lyrics of “Aquí nomás” are rich with symbolism. The repeated phrase “Aquí nomás” (right here) emphasizes a desire to remain in a familiar and beloved place despite the changes happening around. The contrast between the traditional tango and the modern jazz symbolizes a cultural clash, where the old ways are being overshadowed by new influences. The mention of the bandoneon left behind symbolizes leaving behind tradition, while the description of the city grown big that “throws us out” illustrates the alienation felt by individuals in the face of urban expansion and modernization.
Recorded in 1965, “Aquí nomás” was written during a time of significant cultural and social changes in Argentina. This period was marked by rapid modernization and urbanization, which influenced the traditional cultural expressions such as Tango. The mention of specific places and practices contrasts the evolving new social norms, portraying a sense of loss for the traditional culture that once defined the local identity. This theme of transformation and cultural preservation is poignant, reflecting broader concerns of society at that time.
Catulo Castillo was a prominent Argentine poet and tango lyricist known for his deep and emotive style, reflecting the urban landscape and sentimentalism of Buenos Aires.