Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Antiguo reloj de cobre is a Tango written and composed by Eduardo Marvezzi.
The “Antiguo reloj de cobre” (Ancient Copper Clock) tells a poignant story that focuses on the passage of time and its effects on human life, specifically through the lens of familial relationships and personal loss. The protagonist reminisces about the copper clock, originally belonging to his father, and recounts various emotional experiences linked to this heirloom. As time advances, life’s hardships are reflected in the necessity to pawn this cherished item, evoking themes of nostalgia, loss, and the inevitable flow of time.
The copper clock in the lyrics primarily symbolizes continuity and the unyielding passage of time. It is depicted as a witness to the narrator’s life stages, emphasizing the emotional heritage and bonds shared within the family. The lyrics “como un puente levadizo delante del corazón” (like a drawbridge in front of the heart) suggest that the clock serves as a bridge between the past and present, guarding the cherished memories of loved ones. Additionally, the selling of the clock for “Cuatro pesos sucios” represents a forced betrayal or parting with one’s past due to life’s pressing hardships.
Created in Argentina in 1955, “Antiguo reloj de cobre” emerges in a post-war era characterized by social and economic change. This period involved significant shifts in societal values and the tangible hardship of economic instability, which may have compelled individuals to part with personal and familial treasures. The narrative of pawning the inherited clock reflects a common last resort for many facing economic desperation at the time. The cultural significance of preserving family legacies during periods of upheaval is thus a central theme depicted in this tango.
Eduardo Marvezzi was an Argentinian composer known for his contributions to the tango genre, which often encapsulate deep emotional narratives and cultural reflections.