Fabrice Knecht Tango DJ

Anibal Troilo

Anibal Troilo is a Tango written by Julio De Caro and recorded by Julio De Caro in 1949. Julio De Caro has recorded Anibal Troilo as an instrumental Tango.
“Aníbal Troilo,” translated to English as “Hannibal Troilo,” evokes the legendary power of its namesake, Hannibal, the Carthaginian general. In the world of tango, Aníbal Troilo represents a formidable force of musical command, leading listeners on a journey through the depths of emotion. His music, infused with longing and resilience, resonates like echoes of a storied past.

Tango

Style

Julio De Caro

Orchestra

Instrumental

Singer

Author

Julio De Caro

Composer

1949/9/29

Date

Instrumental
Instrumental
Julio De Caro
Julio De Caro

Discover Other Orchestras

Florindo Sassone – La cancion de Buenos Aires – 1950/3/30
Florindo Sassone – Puentecito de mi río – 1947/8/27
Florindo Sassone – A media luz – 1973/1/1
Florindo Sassone – Rencor – 1949/1/25
Florindo Sassone – Mi marianela – 1952/12/5
Edgardo Donato – Aventurera – 1931/1/1
Edgardo Donato – Para qué – 1952/11/4
Edgardo Donato – En mi jardin – 1932/1/1
Edgardo Donato – Tierrita – 1934/9/14
Edgardo Donato – Sinfonía de arrabal – 1940/4/5
Ricardo Malerba – Palais de glace – 1944/9/8
Ricardo Malerba – Qué tarde que has venido – 1956/9/13
Ricardo Malerba – Aristocracia – 1956/6/1
Ricardo Malerba – Magdalena – 1943/8/10
Ricardo Malerba – Taruchito – 1957/1/7
Nuevo Quinteto Real (Horacio Salgán) – Del uno al cinco – 1987/1/1
Nuevo Quinteto Real (Horacio Salgán) – Vida mía – 1987/1/1
Nuevo Quinteto Real (Horacio Salgán) – Ensueños – 1987/1/1
Nuevo Quinteto Real (Horacio Salgán) – Shusheta (El aristócrata) – 1987/1/1
Nuevo Quinteto Real (Horacio Salgán) – Adiós muchachos – 1987/1/1

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1949/9/29 – Cuando no te quiere nadie – Osmar Maderna
1949/9/29 – Que noche – Osmar Maderna
1949/9/29 – El monito – Julio De Caro
1949/9/30 – Mis delirios – Francisco Rotundo
1949/9/27 – Bien compadre – Osvaldo Pugliese

Anibal Troilo recorded by Julio De Caro


Anibal Troilo is an instrumental Tango composed by Julio De Caro.



Interpretation of Anibal Troilo

The composition “Anibal Troilo” as interpreted by Julio De Caro’s Orchestra would be an evocative and emotive journey through the heart of tango itself. The orchestra’s strings would carry a lush, yet melancholic melody, infused with a sense of nostalgia and longing. The bandoneons would add layers of complexity, creating an atmosphere of both warmth and melancholy, with harmonies that swing between hopeful upliftment and solemn introspection. Violins might weave an intricate dance around the bandoneons, highlighting moments of tenderness and raw emotion. The interplay of instruments would paint a vivid picture of Anibal Troilo’s impact on tango, capturing the depth and intimacy of the genre he enriched so profoundly.



Julio De Caro and Anibal Troilo

Julio De Caro, a pivotal figure in the tango world, composed “Anibal Troilo” in 1949. This piece serves as a homage to Anibal Troilo, an iconic bandoneon player and a key influence on De Caro’s musical journey. As leaders of their respective orchestras, both De Caro and Troilo were instrumental in shaping tango’s 20th-century evolution, each bringing their unique flair and interpretative genius to the genre. Through this composition, De Caro pays homage to Troilo’s legacy, capturing the emotional depth and expressive power that Troilo brought to tango music. The piece symbolizes a heartfelt tribute from one brilliant artist to another, immortalizing their contributions to tango culture.